A Quote by Ally Carter

Boys! Are they always this impossible? Do they always say cryptic, indecipherable things? (Note to self: work with Liz to adapt her boy-to-English translator into a more mobile form—like maybe a watch or necklace.)
I think one of the funniest things about '30 Rock' is that Liz Lemon is sort of like Buster Keaton - she's always the fool, the joke is always on her.
And I always read the English translation and always have conversations with my translator, for example about the names. I always have to approve it.
I think the close work I do as a translator pays off in my writing - I'm always searching for multiple ways to say things.
My mum always used to say to me that, out of her three boys, 'Chris, you were the girl!' I'd speak to her about far more things (than my brothers would) and far more things than she needed to hear about, too. I was a chatty kid.
I was the one that was always dancing and got along with everybody, but I also spoke my mind. If I didn't agree with something the teacher would say, I'd tell her, so I would get in trouble for things like that. I've always been a good/bad boy.
My best friend Madison keeps a list on her phone of all of the different English slang that I say, so she has kind of like a translator so she can understand without having to ask me, "What on Earth are you talking about when you say 'nackered'?"
Both the five-year-olds looked at me with bewilderment and a bit of fearful uncertainty. I had a sudden horrifying image of the woman I might become if I'm not careful: Crazy Aunt Liz. The divorcee in the muumuu with the dyed orange hair who doesn't eat dairy but smokes menthols, who's always just coming back from her astrology cruise or breaking up with her aroma-therapist boyfriend, who reads the Tarot cards of kindergarteners and says things like, "Bring Aunty Liz another wine cooler, baby, and I'll let you wear my mood ring.
Nowadays theologians aren't quite so straightforward as Paley. They don't point to complex living mechanisms and say that they are self-evidently designed by a creator, just like a watch. But there is a tendency to point to them and say 'It is impossible to believe' that such complexity, or such perfection, could have evolved by natural selection. Whenever I read such a remark, I always feel like writing 'Speak for yourself' in the margin.
I always say there's no more little girls, just boys with breasts. Girls act like boys nowadays. Teenage girls, they go after boys. They're predatory just like boys. My goal is to keep my girls, girls.
I feel like I 'get' boys. I've always been a boy's girl. Boys are easy; they just break stuff.
I pulled Lena's necklace out of my pocket. I let the charms roll around in my palm, but they were tangled and meaningless without her. The necklace was heavier than I imagined, or maybe it was the weight of my conscience.
I always cheerfully say, "Well, you know, the species is adapting, and whatever it needs to do, it'll do," but I do think it's maybe a little bit alarming. Everybody knows that one thing we really have to do is to be more wherever we are, more present, that's just kind of a commonplace. And the whole mobile phone thing is completely 100% the opposite - to never be where you are because you can always be somewhere else; and yet it's so fun and addictive.
My mom has an English accent, so we always referred to the trunk as the 'boot.' And then, suddenly, we moved to Georgia and I would say things like 'open the boot' with a bit of an accent, and I quickly realized I had to adapt; that kind of thing will get you beat up!
as all women know, there are really no men at all. There are grown-up boys, and middle-aged boys, and elderly boys, and even sometimes very old boys. But the essential difference is simply exterior. Your man is always a boy.
When you work in form, be it a sonnet or villanelle or whatever, the form is there and you have to fill it. And you have to find how to make that form say what you want to say. But what you find, always--I think any poet who's worked in form will agree with me--is that the form leads you to what you want to say.
Lawyers on TV always tell their clients not to say anything. The cops say that thing: 'Anything you say will be used against you.' Self-incrimination. I looked it up. Three-point vocab word. So why does everyone makes such a big hairy deal about me not talking? Maybe I don't want to incriminate myself. Maybe I don't like the sound of my voice. Maybe I don't have anything to say.
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