A Quote by Ally Walker

I think Kurt Sutter's different as a creator for different people. My experience of Kurt Sutter has always been a really professional, lovely one. I like Kurt Sutter very much.
I don't know... I don't think you can trust any of Kurt's characters. That's how Mr. Sutter operates: nothing is what it seems.
When I first met with Kurt [Sutter], it was one of those moments where you feel everything is happening for a reason.
You look at who's actually created shows for FX that have succeeded, and there are a lot of first-time showrunners - Ryan Murphy, Denis Leary, Louis C.K., the 'It's Always Sunny' creators, Kurt Sutter, Joe Weisberg, Pamela Adlon, Donald Glover.
Kurt [Sutter] is one of the few showrunners that actually sits down and talks to the actor alone, and then with all of the other writers, and basically tells you what he has in mind and what's going to go down.
I don't think of Kurt as 'Kurt Cobain from Nirvana'. I think of him as 'Kurt'. It's something that comes back all the time. Almost every day.
To have a record crowd for What Culture, to be in there with Kurt Angle and not to be just, like, Kurt Angle plus garnish, for it instead to be Kurt Angle v. Cody Rhodes, our second match, actually - it was very vindicating. It's also nice, you know: the greatest revenge in all the world is success, so it's nice to be vindicated.
I was a big fan of Kurt Russell growing up and I always wanted to be the modern day Kurt Russell.
I really don't care if Stephanie enjoys kissing Kurt Angle. Or if Kurt Angle enjoys kissing Stephanie. Or hell, if Kurt Angle enjoys kissing Triple H! Cause as far as I'm concerned all three of you can kiss my ass!
My theory is that Kurt had a lot of residual pain from his childhood. And when you pile that on top of his experience in World War II - he was in Dresden when it was bombed and saw a city annihilated. When you combine those two things, my impression of Kurt Vonnegut at 84 was that he was a very pained and haunted man.
I used to love Kurt Cobain, when he was telling people we're a pop band. People would laugh, they thought of it as good old ironic Kurt. But he wasn't being ironic.
Kurt Cobain, when he did his videos, you look into his eyes and he couldn't even face the camera; he was in pain and I'm angry about Kurt. This guy didn't have to die.
I was in Ann Arbor, and I was told that this singer-songwriter guy wanted to meet me. It was Kurt Cobain. Nirvana had just made 'Bleach.' Kurt interviewed me on a college radio station. It was very strange. He was a fan of mine, and he gave me his album.
In Utero is a testament to the artistic vision of Kurt Cobain. It's kind of a weird record, and it's strangely beautiful at the same time. And if you look at Kurt's paintings and his drawings - he even did a sculpture for me - it's a rising, tortured-spirit person. It's kind of weird. It's done well, but it's like what Dave was saying about having your own sound. Kurt was a great songwriter. He knew he had a good ear for a hook [and was] a great singer, great guitar player, and In Utero is a good representation of what he liked in art and how he expressed himself.
When I do a film that has nothing to do with Kurt Weill, then I am happy, I am on my own. But in a Kurt Weill work I am as nervous as a cat. A burden falls on my shoulders. I feel a crushing responsibility.
He's (Bruce Sutter) going to be out of action the rest of his career.
Since retiring, there's only been one time I actually dreamed about wrestling. In my dream, I was wrestling against Kurt Angle. I had him clamped in a headlock. I was breathing hard, and I remember telling myself, 'This is only a dream. It's not real.' But the longer I held Kurt in a headlock, I started to believe it was real.
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