A Quote by Allyn Rachel

I do mostly comedy, and it tends to be a subtler comedy. But I think that probably lends itself well to commercials. — © Allyn Rachel
I do mostly comedy, and it tends to be a subtler comedy. But I think that probably lends itself well to commercials.
The state of being in love is so inherently preposterous. It usually lends itself to romantic comedy. I think we've all been there.
Here's my take, for what it's worth: I think that a lot of people in the US, as well as other countries, have the idea that animation is primarily for children, and kids like to be entertained! And animated films here tend to have crazy fantastic situations that would be difficult to do in live action, like with talking animals or monsters or whatnot, and that lends itself well to comedy, I think.
I think comedy is drama, often. It's hard to have comedy over a period of time - commercials are one thing, but over a period of time - comedy and tragedy go hand in hand.
I will do comedy until the day I die: inappropriate comedy, funny comedy, gender-bending, twisting comedy, whatever comedy is out there.
I think I'm known mostly for comedy because most of the work I've done is comedy and that is in turn because most of the work that is offered to me is comedy, so I end up doing more comic roles and therefore being known for them.
I think that there's a fine line between comedy and drama. I think that ultimately, the less winking that's going on when you're doing comedy - and this is just my own thing, and maybe it's why I've never been hired in comedy except by Bill Lawrence - but I think that the less winking you do with comedy, the better off you are.
A rap is a tweaked version of comedy, because comedy came first. People weren't spitting before they were doing comedy. Comedy has been relevant for years. It's the same art form, pretty much. Discovering that and applying it, I think that has made my stand-up better.
You know, I think British comedy is very smart comedy. You don't get too much dumb comedy over here. Or at least I haven't seen it. If I'm wrong about that, I apologize to all the dumb comedy makers over here.
I naturally think in terms of comedy whenever I see anything because tragedy is so close to comedy, so I like to add the tragedy to the comedy or a little bit of comedy to the tragedy in order to make them both feel more real to me.
In terms of comedy, there was a Seinfeldian era of comedy that I love but got played out. Seinfeld was great, but then after him it was people acting like Seinfeld and making observations that we felt like we'd kind of heard before, and then you're seeing Seinfeldian comedy in commercials. Suddenly everything is observational funniness.
I would love to do a comedy, but comedy probably in the sense of a dark comedy like 'Californication,' that sort of thing. Yeah, sure, I think I'm funny.
I think the best kind of comedy is the least self conscious. I think if you just sort of let the comedy happen without the elbow nudge, did you get it, did you get it. I love straight face comedy or subtle - relatively subtle comedy.
Well, I think that there's a value to comedy in and of itself.
I think that comedy really tells you how it is. The other thing about comedy is that - you don't even know if you're failing in drama, but you do know when you're failing in comedy. When you go to a comedy and you don't hear anybody laughing, you know that you've failed.
I think 'Paper Moon' is a comedy-drama. 'What's Up, Doc?' was the most severe comedy, but my favorite film of my own is 'They All Laughed,' which is a kind of bittersweet comedy.
I don't play comedy as comedy. That would be the biggest trap. I think about the characters and their situations. Then you don't have to worry where the laugh is going to be. But comedy is harder than drama.
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