A Quote by Allyn Rachel

Casting directors don't necessarily want a more recognizable commercial face. Sometimes, they want a lesser known person. — © Allyn Rachel
Casting directors don't necessarily want a more recognizable commercial face. Sometimes, they want a lesser known person.
If you work in casting, it's sort of not cool to want to act. A lot of people think that casting directors are frustrated actors, but it wasn't true with any of the casting people I knew.
I think there's this thing that happens when you're younger: The things that you want are different than when you're older, and sometimes the person that you liked when you were a teenager is not necessarily the person that you would want to settle down with for the rest of your life once you're older, more mature, and have kids.
I'm not a popular actor. I don't necessarily want to be famous. I want to be known for great work. I want to be known to surprise audiences.
Producers generally don't like me; directors do, generally. Convincing the producers is hard. They can't see the commercial value behind such a face, nor would they get a commercial value, necessarily - and I don't mean that in a good way or a bad way.
It's good to talk sometimes. Sometimes interviews are really good for you... You end up evaluating yourself more and talk about stuff that an ordinary person wouldn't necessarily keep revisiting. I used to close myself off and want to be alone, but now I'll call a friend. When you're in a relationship, they're that person.
I'm sure there will come a time when I won't be able to, you know, walk around so easy sometimes, or it's just things that I don't necessarily want. I don't really necessarily want to be famous.
When I first started out, it was very, very difficult to even get in the room with directors or casting directors because they would see that I hadn't been to drama school and wouldn't want to see me. Now, I feel like it's changing. We have this new generation of a lot of writers, directors and actors who are just breaking through, and they're doing it for the passion.
I believe that it is preferable sometimes to have one candidate rather another candidate, while you understand that that is not the solution. Sometimes the lesser evil is not so lesser, so you want to ignore that, and you either do not vote or vote for third party as a protest against the party system.
Honestly, I want to be known as a great ball player, but it's more important for me to be known as a good person. Like seriously, the greatest gift you have as a person is to give something to somebody else.
I want to be the person that is the first person there and the last person to leave. That's who I want to be, because I think the road to success is through commitment, and through the strength to drive through that commitment when it gets hard. And it is going to get hard and you're going to want to quit sometimes, but it'll be colored by who you are, and more by who you want to be.
I think more than comedy, probably more than straight drama, I like horror. And horror I think I'm particularly good at. It's a mistake a lot of directors make, especially young directors. They always want to make the kind of movies that they most admire and aren't necessarily sensitive to what they have the best skill set for.
I don't want to just make music as I want to be legendary. I understand it has to be commercial as I have to feed my family. I am in between these two marks and they are not many people in this space. I want my work to my valued even if my face is forgotten.
I don't want to be put on a pedestal. I want to be known as a nice and normal person, but my skills are a little more excelled.
Generally, nowadays, I'm using my own accent because casting directors want it; they like that.
I threw a lot more curveballs in college and the minor leagues. Up here, they're looking for that pitch. A curveball is more recognizable out of the hand than a fastball or changeup. They're taking them or hitting the mistakes I make with them. I don't want it to be so recognizable. I'll have to work with that because that was my pitch.
I feel like each time I do something I want it to be more and more recognizable that it's me so, by the time I do a film, my films will be as recognizable as someone like David Lynch or someone who's got their own thing going on.
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