A Quote by Allyson Felix

The 200 meters is my baby. To me, it's the perfect distance. It's still a true sprint, but it unravels more. You get to enjoy the race a little bit more than the 100.
I'm not a technical person, at all, but you get a little bit more of a sense for how to get something done a little bit more efficiently. I think everybody is in that place where it's a little bit more efficient, but the process is still the same, which is still loose and collaborative.
A perfect run has nothing to do with distance. It's when your stride feels comfortable. You're on your toes trying to push it. Suddenly you realize you can open it up a bit more. You know you're at one with yourself and the environment. You're a little more alive than before you started.
I learned how to have a little bit of distance when I explained songs and a little bit of distance when I wrote them. I think this is more interesting any way in art.
There's a bit more of a safe distance when you're making a narrative movie, a bit more perspective. Audiences can separate themselves from the harsh reality of the facts a little bit more and think: 'Okay, how do I consider this?'
If I run 100 meters 30 times, that is 3 kilometers and no longer a sprint.
Being producer you're still going to have to sell somebody who's going to give you the money on the idea and everything like that. But it does give you a little bit more control if you're thinking in that creative process; it gives you more control to tell the story you want to tell rather than sort of just reading a script that somebody else wrote and says, "Yes, please, you can hire me for this job." So it's a little bit more hands-on, a little bit more closer to the heart.
Even if the pace is slow in championships, you can still sprint well and still power in the last 200, which is always the main part when the race is slow.
'Break of Dawn,' musically, is still soulful and eclectic, but I think I opened up a little bit more vocally. It's a little more intimate. It's a little more sensual than before - and pensive.
It makes me sick to see a superior runner wait behind the field until 200 meters to go and then sprint away. That is immoral. It's both an insult to the other runners and a denigration of his own ability.
And how stands the city on this winter night? More prosperous, more secure, and happier than it was 8 years ago. But more than that: After 200 years, two centuries, she still stands strong and true on the granite ridge, and her glow has held steady no matter what storm. And she's still a beacon, still a magnet for all who must have freedom, for all the pilgrims from all the lost places who are hurtling through the darkness, toward home.
For this relay there was a little more pressure because it's the 200, you have to make sure you swim it smart. The 100 was more about energy.
I enjoy doing new tunes. It gives me a little bit to perk up, to pay a little bit more attention.
I would love to tackle an older role and have a little bit more depth, but I do get to have fun with the roles, and I'm quite happy playing young. I quite enjoy being the baby of the cast. It's fun.
I'm becoming more and more of a backwoodsman. I always used to be more of a city guy, and more and more, I'm starting to enjoy being in nature. Just to sit and slow down a little bit.
When I was younger, I didn't really train for the sprint - I trained to get over the mountains. I have to train it now I'm getting older. But the sprint is more born, rather than made.
In the NBA you need a little bit more than that when Jordan is front of you. You need a little bit more than that when it is Barkley or Karl Malone or Shaq or whoever else. You need a lot more than that frankly if you're the English kid who can't jump.
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