A Quote by Allyson Felix
The pressure is hard. You get - the world is only watching every four years, and I think lots of people feel like they have to win in that time frame.
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Don't get seduced by your own stuff. Don't get high on your own supply. The hardest thing as a filmmaker is when you're watching a film that you've worked on for several years. You know every frame so intimately that holding lots of the objectivity of a new viewer who has just seen it for the first time is the hardest thing. Every aesthetic decision you make - and you make thousands of them every day, have to - in theory, must be done from you being a blank slate. You almost have to run a program, like a mind wipe, every time you watch the movie.
As long as you win Monaco, that's the one. In my ten years of Formula One, I've only won here once. This is my second time.Every year, it feels like this is your Achilles heel. You almost have it and then you don't. It's such a hard race to win.
You can feel righteous fury in every frame of The Magdalene Sisters. The movie is both a masterpiece and a holy hell: Watching it, you feel you're being punished for a crime you didn't commit. Which puts you, come to think of it, in the same frame of mind as those poor Magdalene girls.
I feel the only way you feel the pressure is when you think it is an important match or series. If you feel that every time you go out into the middle the match is important then pressure ceases to exit.
People talk about you won four national championships. Well, I feel like we've had good enough teams to win eight. So I feel like we failed four times. I feel like I failed four times.
I think people have this idea that I just lived in my place in England and never left. During 'Looking,' I was in America for four years. I've got a green card. I spend half my time there. It doesn't feel like an alien world at all.
There's always a new thing happening to me that's even more extraordinary, so pressure gets harder. But I like it when it's hard. Anyone can do it when it's easy. When it's hard and you can do it good, you're proud of yourself. There's going to be more pressure as the years go by, that's for sure. But I think I'm a hard worker and I'm ready for that. As long as I believe in what I'm doing, the pressure is okay with me.
In MMA it's a lot less intimidating because it's not like you get one shot at a title every four years. You get a title shot every couple of months... With the Olympics, you don't always have this, so there is so much more pressure involved.
In MMA it’s a lot less intimidating because it’s not like you get one shot at a title every four years. You get a title shot every couple of months ... With the Olympics, you don’t always have this, so there is so much more pressure involved.
I have played for Real Madrid, which is such a big club and where the pressure is so huge because you have to go and, really, win absolutely every game. There is no game where people don't expect you to win. So, having played there for three years, pressure is nothing that would scare me.
I feel like every time I write a song, it feels like the first time I wrote a song. It's just as hard; it doesn't get easier, but that's why I love it: because it's a challenge every time. I also feel like I'm learning new ways.
While the World Cup is great every four years, I think people struggle to get themselves excited about qualifiers against the smaller nations. It will take some good performances from the national team to get the feel-good factor back, as far as the England team goes at least.
For myself, the way that I learned comedy was doing it live for four years, and only after doing sketch for four years did I feel confident enough to be like, 'Okay, I feel good about starting to put stuff on the Internet where it lives forever.' As opposed to one time at a college sketch show where it bombs and we never speak of it again.
The notion that I do my work here, now, like this, even when I do not feel like it, and especially when I do not feel like it, is very important. Because lots and lots of people are creative when they feel like it, but you are only going to become a professional if you do it when you don't feel like it. And that emotional waiver is why this is your work and not your hobby.
I don't feel pressure in a negative way. I like pressure. I feel excitement and calm at the same time. No pressure, no diamonds. I want pressure: pressure creates drama, creates emotion.
I think about photographs as being full, or empty. You picture something in a frame and it's got lots of accounting going on in it-stones and buildings and trees and air - but that's not what fills up a frame. You fill up the frame with feelings, energy, discovery, and risk, and leave room enough for someone else to get in there.
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