A Quote by Aloe Blacc

I felt I had an opportunity to follow in the footsteps of great soul musicians of the past, who made a lot of social and political commentary through their music. — © Aloe Blacc
I felt I had an opportunity to follow in the footsteps of great soul musicians of the past, who made a lot of social and political commentary through their music.
I don't profess to be a political rapper, like groups such as 'Dead Prez' or 'Public Enemy', but I think social commentary should make its way into your music. Speaking on your neighbourhood is social commentary - what happens, what's going on.
I get a lot of letters from people saying, 'I want to follow in your footsteps,' and I don't know how to tell people how to follow in my footsteps, because I can't give them the opportunities that I had.
I had an unbelievable opportunity here to try and follow in similar footsteps [of Michael Jordan], but in a different capacity hopefully. I took that opportunity and I'm excited about it.
There was a lot of freedom, so bands in those days did not have to play for the public. They played for club owners that enjoyed music. You know, what happened - there was a lot of clubs that had bebop music or different forms of music. It was great for musicians.
I was always moved by all of the music. As a young man, Duke Ellington and Lionel Hampton, Count Basie and all these great musicians would come through our town of Memphis. There wasn't adequate hotels, so these musicians - the lady who ran the theater knew my mother, who had a large house, and many of them would stay with us. So that was another great blessing, so I'm always around these great geniuses, and to realize their humanity is such a touching thing.
Zombies have always had a lot of built-in social commentary.
Music and the arts feed our souls, but a decent wage puts food on the table. Musicians, fans of music, and grassroots political organizations are a potent force to fight for social justice.
I know a lot of kids following in my footsteps, not only from my heritage, but there's younger generations trying to follow in my footsteps, so it's really cool just to be the start of something pretty special for our culture.
I never write something and consciously embed political commentary or any other kind of commentary. I just try to get the characters into a room or out of a room, or onto the plane, or through the grocery store. The political stuff, the class stuff, the gender stuff, is in the air, it's in their interactions, because it's there for all of us.
A lot of people still don't realize that, before Rascal Flatts, I was in a Christian band for four or five years, and I had the opportunity to work with some of the greatest pop musicians and producers in L.A. I learned a lot from Peter Wolf; he was one of my heroes growing up in the '80s. He was a producer of a lot legendary pop music.
It's a good community, country music, because we get the chance to sit down and... me and Tim McGraw spend a lot of time. Me and Kenny Chesney had the opportunity to spend a lot of time together. It's been a lot of great advice through the years.
To follow in the footsteps of Dirk Kuyt would be sensational. He triumphed at Feyenoord and has had great success at Liverpool.
I had a great teacher in my brother and my dad, and to be able to follow Kurt's footsteps has helped out a whole bunch.
The Lifted Crew, I think that they're a great band that plays great soul music. They may have studied a lot of soul, but really, their heart and soul is in hip-hop.
People need to put my music in a perspective where they use other established artists from the past, and almost all the names I see related to my music are great musicians.
I was studying political science; I was adamant that I was going to follow in my father's footsteps.
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