A Quote by Aloe Blacc
Music, especially as an adolescent, helps to build identity because that's when people start developing a sense of self. You can kind of tell based on what music a person listens to what kind of person they'll be pretty much for the rest of their life.
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Music directly represents the passions of the soul. If one listens to the wrong kind of music, he will become the wrong kind of person.
Contrary to what you may have heard from Henry Rollins or/and Ian MacKaye and/or anyone else who joined a band after working in an ice cream shop, you can't really learn much about a person based on what kind of music they happen to like. As a personality test, it doesn't work even half the time. However, there is at least one thing you can learn: The most wretched people in the word are those who tell you they like every kind of music 'except country.' People who say that are boorish and pretentious at the same time.
Music doesn't really require whether the person's a young person or old person for whatever kind of music it is.
In terms of exploring an identity in the country music world, what I realized very quickly was that there are people who have been performing country music since they were kids. It's very much a part of who they are; very much that jazz and blues are a part of who I am, because I grew up listening to and playing that kind of music.
Formats are just illusions, and it's about the relationship between the person that makes music and the person that listens to music. Every time there's a new format, the iron is hot, and you can mold it.
If I had to pick one social action I could encourage all my friends, family and fans to do, it would be to teach a child. One, to educate them about good music, but two, because that kind of relationship helps build a bond. When you share music with somebody, that then becomes your link to them. Music is what connects a lot of us, over borders.
I think there's a difference between the type of folk music that people put into the box of "folk music" and then there's the kind of folk music that I aspire to and am in awe of, and that is the kind of folk music where it's very limited tools - in most cases a guitar, in a self-taught style that is idiosyncratic and particular to that musician.
A book, at the same time, also has to do with what I call a buzz in the head. It's a certain kind of music that I start hearing. It's the music of the language, but it's also the music of the story. I have to live with that music for a while before I can put any words on the page. I think that's because I have to get my body as much as my mind accustomed to the music of writing that particular book. It really is a mysterious feeling.
I listen to all sorts of things. I get kind of embarrassed with my iPod, because I am a top-40 type of girl; I am not the kind of person to introduce people to new music.
If we see too much of one person, even though we like that person, we start to kind of pull for other people.
The very best thing for music would be to live next door to a person who listens to loud music so you could mishear music everyday and mutate it to your own means.
I have a perhaps naive point of view informed by my own kind of snowflake-in-the-unique-sense rather than the political sense, personal story. I mean I feel like my experiences are so hard to map onto any kind of generalized identity. For example, I'm a black person, but I come from a very particular black experience which is not unlike the experience of the Barack Obama. I have an African mother and a white father and I feel like I have a different experience of being a black person as a result of that identity than someone who is from the descendants of slaves.
I think I've gotten a pretty fair shake in the music press over the years. The only think that kind of irks me is when people assume that I must be really depressed person because they find my songs to be sad.
When you look at so much of what we all love, there's either soul-based to it, or it's the blues. It's really the beginnings of any kind of music. It really is; it all starts there. Because after that, it's music of the moment.
When you start reading a piece together, you get a sense of someone's basic philosophy of music without saying a word. You realize the other person's approach, how they express themselves, the kind of restraint they show, all those things.
Who we are? Us!Right? What kind of people are we? What kind of person are you? Isn't that the most important thing of all? Isn't that the kind of question we shloud be asking ourselves all the time? 'What kind of person am I?
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