A Quote by Alok Nath

It's all about making a right deal with the reel and real. — © Alok Nath
It's all about making a right deal with the reel and real.

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Charlie Sheen gave me a signed headshot. I think it said, 'Keep it real.' But 'real' was spelled 'reel,' like a film reel.
If you're looking for reps, write letters that are short and professional. Make sure you have a really great reel of yourself. If there are friends you know who are making short films, do them - it's all material for your reel.
These people who are making a big deal out of gay marriage? I don't give a fuck about who wants to get married to anybody else! Why not?! We're making a big deal out of things we shouldn't be making a deal out of. hey go on and on with all this bullshit about "sanctity"—don't give me that sanctity crap! Just give everybody the chance to have the life they want.
We've got social media now where we can even create an identity for ourselves and show the world an inauthentic highlight reel version of who we are. But I'm drawn to real, not a highlight reel. The world doesn't need to see another plastic Christian pretending they've got it all together.
Park hill staten island seal, rock the reel to reel we high hills deep
The administration [ of Barack Obama ]says I`m wrong, that there`s nothing to worry about. They say the deal is nearly done, and they are making a lot of promises about how the deal will affect workers, the environment and human rights - promises. But people like you can`t see the actual deal.
One of the great things about making 'Reel History' was meeting British people from all over the class system. It made me realise that London is a different country.
You don't need to be right all the time. Your child wants a man for a father, not a formula. He wants real parents, real people, capable of making mistakes without moping about it.
I watch a lot of Turner Classic movies. But I don't do private screenings. I don't have the old school, reel to reel projectors. I do have a big screen TV, though.
There will always be a slight difference between the reel and the real. Even my family might know 99 per cent about me, but there will be this one per cent about me that nobody will ever know. Being in this profession, I am fine with biopics or movies inspired by real-life-characters.
I remember Ozzy Osbourne making a fuss on The Osbournes - people were making a big deal about him taking the garbage out, and he said, "Well, who else is going to do it?" The garbage is full, and you're standing right there. You're still a human being who is going to make yourself a sandwich.
You hear a lot of songs that are about people cheating or about infidelity. I haven't really heard one before about connecting with the noble part of yourself. I know it sounds a little bit cheesy, but that's the real deal. There are a lot of people who are making a genuinely good, sweet decision on a daily basis.
Most people look at a feature film and say, "It's just a movie." For me there is no border or wall between fiction and documentary filmmaking. In documentaries, you have to deal with real people and their real feelings - you are working with real laughter, happiness, sadness. To try to reflect the reality is not the same as reality itself. That's why I think that making a good documentary is much harder than making a good feature film.
I'm not making a movie about the real people. I'm making a movie about what they did, and what happened to them. But I will create characters so that I can have the freedom to make them say and do what I want. The real-life journalists were fine with that.
Jenson Button is the real deal. It just takes the right environment, the right time - don't doubt he has all the talents to win Grands Prix and challenge for championships.
I learned so much about the making of Star Wars and that became a real drive for me, right from the time I was 12 or 13.
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