A Quote by Alok Nath

Online entertainment is easy. You can't carry a TV set in your pocket, and everyone can't afford cinema tickets every week as they are expensive. — © Alok Nath
Online entertainment is easy. You can't carry a TV set in your pocket, and everyone can't afford cinema tickets every week as they are expensive.
There are television sets in every home, every restaurant, every hotel room, every shopping mall-now they’re even small enough to carry in your pocket like electronic rosaries. It is an unquestioned part of everyday life. Kneeling before the cathode ray God, with our TV Guide concordance in hand, we maintain the illusion of choice by flipping channels (chapters and verses). It doesn’t matter what is flashing on the screen-all that’s important is that the TV stays on.
I used to buy lottery tickets every week until I realised you could watch it on TV for nothing.
A lot of people don't watch cinema. They can't afford movie tickets, they can't go to theatres to watch cinema, they are not on social media. How do you reach out to those people as an artist?
The upper middle class here still has options for entertainment. We have Internet, Hollywood and books. But for the majority and the masses, there is only TV. A lot of them sit at home and watch TV as they can't afford other forms of entertainment. So, we try to do shows which have inspirational value.
I think the novel is at one end of the art-entertainment continuum - the play in the middle - while TV and cinema veer a bit more towards entertainment.
The entertainment business is hard on relationships, but it's just as hard on your own spiritual well-being. It's easy to lose focus, to forget your priorities and wander from the path. There is not any one thing you can do to survive this desert. It's a matter of maintenance, of the small things you do every day and every week to keep the engine running smoothly.
Some people feel that the purpose of cinema is entertainment - which in itself is a healthy enough goal, provided you define what constitutes entertainment. But I come from a family where I grew up believing that cinema - art - should be used as an instrument for change and that's the kind of cinema I've largely done and been attracted to.
A lot of people realize "I don't have to work in this job that I'm miserable at every year, or every day, and I don't have to live in, for example, New York City where it's super expensive and if I live somewhere else that is less expensive and could pursue my passion like, I can afford to do that."
When you come onto the set, everything should be focused around your character and you should stay in the pocket, as much as possible. Every actor has their own process. For me, I really need to stay in the pocket.
Cinema is changing every week, and multiplex audiences are demanding every week.
Everyone talks about how we're on our phones all the time, but the fact remains that when I'm away on a film set for two months, I can Skype my family. I remember the phone calls my parents had to make when my dad was away for a while when I was younger - that once-a-week expensive phone call! The time pressure on talking to your father!
Everyone I used to work with is still alive and can afford expensive lawyers.
I actually gained a lot of weight when I started to do 'Grey's Anatomy.' Doing eight theater shows a week, girl, is such a workout. But with TV, you're, like, sitting in your trailer waiting to go to the set. And there's catering and craft service every place you look.
It [TV] is the cancer of film. It's why people can't be educated to film. In the late '60s, we expected to see a movie or two every week and be stimulated, excited and inspired. And we did. Every week after week. Antonioni, Goddard, Truffaut - this endless list of people. And then comes television and home video. I know how to work exactly for the big screen, but it doesn't matter what I think about the art of movie-making versus TV.
For all reality TV, and all the viewers of reality TV, just be entertained. Don't invest your feelings, your heart, your soul into reality TV. It is entertainment. And that's all that it should be.
I don't go on set with an army of people because the most expensive elements of a movie production are the plane tickets, the hotel rooms, food and gasoline. If you're willing to discover new colleagues in the place that you are, you can save a ton of money.
This site uses cookies to ensure you get the best experience. More info...
Got it!