A Quote by Alok Nath
I have never said no to a film. Except once, 20-25 years ago, when a producer from Madras wanted me to play Jeetendra's father.
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It doesn't matter to me. I'm just worried. It's the first time I've see Teach like that. He said he had two regrets...Once, 20 years ago. And once when you hurt your wrist. He said he didn't ever want to regret again. I wonder what that means.
I never said I wanted to be a lead actress; I never said I wanted to be a film actress. This need to trump everyone bewilders me. I'm only 25. I'm not better than anyone. I just want to watch other people and learn to be good.
Back 20 years ago, I was recording with Bruce Springsteen, and his producer called me and said I had to be in the studio the next day to finish the sessions, and I couldn't. I had to be in court, in California. All this took like 10 years out of my life.
I've always wanted to serve my country in some capacity. But many years ago, my father said he wanted me to run the brewery and he'd do politics.
If you look at Hollywood today, compared to five years ago, 10 years ago, 20 years ago or 30 years ago, the change from moment to moment has always been extraordinary. It never stops moving.
The economy in the next 20 to 25 years is going to change more than they did in the last 20, 25 years. And that's because exponential trends are affecting a bigger and bigger share of the economy. So we have some huge disruptions in store, and I can't predict exactly what the innovations are going to be. If I did, I would have already invented them. But I think they'll be comparable to the innovations we saw in the past 20, 25 years if not greater.
I remember on Thanksgiving all the kids wanted the drumstick. There were four of us then. Well, today you can go into the supermarket and get 12 drumsticks. Years ago you couldn't do that. So I was sucking on the neck for two years. My mother told me it was the leg, and I believed it. I went to my father and said, Why is my leg always cockeyed? He said, The bird has arthritis.
I called Scott Rudin, and I told him I wanted to do the play [Fences], so that's how the ball got rolling. I never said, "I'll do the play, and the next year I'll do the film, I just wanted to do the play."
My father was a soldier and my mother was a great mover. She once counted up how many places she had lived in during the first 25 years of her marriage and it came to 20.
My sister Tiffany told me years ago, 'You can never write about me.' Then she called six months ago and said she wanted to be in a story. She was worried people thought I didn't like her.
The thinnest I've ever been was after I had my appendix out, during the London run of The Seagull. I went down to 112 pounds and realized my brain doesn't work when I'm that thin, so I can't do my job. That's why, when I came out here, I never had that whole Hollywood pressure thing. I never said I wanted to be a lead actress; I never said I wanted to be a film actress. This need to trump everyone bewilders me. I'm only 25. I'm not better than anyone. I just want to watch other people and learn to be good.
I actually met a producer of Stanley Kubrick's who told me that Kubrick had never even thought about doing Perfume: The Story Of A Murderer. He just read it and didn't want to do it - that's it. There's a myth around that he said it's not filmable. But he never wanted to film it.
I'm sure all the people who have been born 20 years ago don't know anything about me at all except 'LOVE', and that's a nasty word.
Being in front of the camera - first of all, when I wanted to get into television, it was as a producer. I never had an idea that I would do anything in front of the camera, and that kind of happened by accident. But I wanted to be a producer or give me a job with the Yankees or play for the Knicks. I was a sports nut when I was a kid.
I didn't watch any films. This film, The Proposal, had it all in the script. Once all the pieces, once I met Anne Fletcher and I knew what she wanted and that we wanted the same things, and once they said Ryan Reynolds was on board and once the casting came together, you saw what it wanted to be.
Twenty years ago I brought young, unknown film maker Joe Wright with me to a private show of 'Nil by Mouth.' Gary Oldman asked me if he was any good. I said, 'give it a few years and he'll direct you in a film that will win you an Oscar.'
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