A Quote by Alonzo Bodden
The difference, generally speaking, between sportbike people and cruiser people is that sportbike people like performance skill and wear safety gear; cruisers like chrome, noise, and style. It's funny to me to separate them because I ride both. I prefer performance cruisers like the Honda Valkyrie I had or my Triumph Rocket III.
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People like light and silly, and they like stuff that's really energetic, and you get a character in a film bouncing around and screaming, people laugh. That's all it takes. I don't find that funny. To me, what's funny is dialogue and nuance of character and performance.
For some people, fame kills it and becomes more important than the music or the performance. But for me fame is like rocket fuel. The more my fans like what I'm doing, the more I want to give back to them. And my passion is so strong I can't sleep - I haven'tslept for three days.
For a long time, I refused to wear jeans. I liked high-waisted pants, but jeans made me feel like I wasn't being unique. Even now, I won't wear the skinny-jeans style, because most people wear those - they have to be baggier, boyfriend-looking, or sort of like a mom jean. I'm real funny that way.
It is much more difficult to measure non-performance than performance. Performance stands out like a ton of diamonds. Non-performance can almost always be explained away
Once you recognize that all documentaries are performance, it's not a matter of 'if' they should be performance. They are performance, and they are performance precisely where people are playing themselves.
If you look at MMA, you don't have an amateur MMA. You have some of these young men like James Kirkland who had 140 amateur fights, I had 3. My skill level was I was just powerful as hell, I didn't know how to actually box in the beginning. I was just punching them, the skill level wasn't there. You will have one or two females that are really skillful, but who are they gonna box to get better. MMA is just more exciting because you kick and throw people on the ground and whatever. But people tuned into a fighter like me because I put people to sleep.
I generally prefer to stay quiet before a performance. I don't like television cameras, but an interview is OK.
We can create the sensation of community through the accrual of actions, and that's often the clichéd way that storytelling is talked about, as someone taking a solo, and that's great for lots of reasons. But I don't really like to feel like I'm forced to listen to it in a certain way, or that there is one master reading of performance. I think what we want from performance is multiplicity, which is lots of ways in and through it, because it's for lots of people, and it was created by lots of people, often.
You seem to take things so personally, hating people and worshipping them--always thinking people are so important--especially yourselves. You just ask to be kicked around. I like people and I like them to like me, but I wear my heart where God put it--on the inside.
I've never been in a business where safety performance was excellent and the business performance was not, so they go hand in hand, and for me, safety performance is an indication of discipline, of focus and of how joined up an organisation is.
I've never been in a business where safety performance was excellent and the business performance was not, so they go hand in hand, and for me, safety performance is an indication of discipline, of focus and of how joined up an organization is.
When I meet people for the first time, I always put on my glasses because I feel like that's a little something extra between me and them. It's like the Laurence Dunbar poem "We Wear the Mask."
I like noise. It's always puzzled me why one of the goals of contemporary recording is to get rid of noise and to eliminate any element of a performance.
Generally speaking, I, like anyone else who does anything publicly, like it when people like what I do, and would like to hear as much.
People know there is a difference between what you do and what you accept. There is a difference between me knowing that people swear, me hearing people swear and me swearing, and everyone accepting that this is something you can do as much as you like.
It helps so much being on location. It's like the difference between performing for the rectangle of the camera versus a world being created and then the camera finds things within that. There's a huge difference in that, because what it takes away is performance. You don't feel like performing. You're just kind of doing it. You're existing.
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