A Quote by Alphonse de Lamartine

Eloquence dwells quite as much in the hearts of the hearers as on the lips of the orator. — © Alphonse de Lamartine
Eloquence dwells quite as much in the hearts of the hearers as on the lips of the orator.
If our eloquence be directed above the heads of our hearers, we shall do no execution. By pointing our arguments low, we stand a chance of hitting their hearts as well as their heads. In addressing angels, we could hardly raise our eloquence too high; but we must remember that men are not angels.
There is something in the eloquence of the pulpit, when it is really eloquence, which is entitled to the highest praise and honour. The preacher who can touch and affect such an heterogeneous mass of hearers, on subjects limited, and long worn thread-bare in all common hands; who can say any thing new or striking, any thing that rouses the attention, without offending the taste, or wearing out the feelings of his hearers, is a man whom one could not (in his public capacity) honour enough.
Eloquence, to produce her full effect, should start from the head of the orator, as Pallas from the brain of Jove, completely armed and equipped. Diffidence, therefore, which is so able a mentor to the writer, would prove a dangerous counsellor for the orator.
In eloquence, the great triumphs of the art are when the orator is lifted above himself; when consciously he makes himself the mere tongue of the occasion and the hour, and says what cannot but be said. Hence the term "abandonment" to describe the self- surrender of the orator. Not his will, but the principle on which he is horsed, the great connection and crisis of events, thunder in the ear of the crowd.
It is but a poor eloquence which only shows that the orator can talk.
However much we admire the orator's occasional bursts of eloquence, the noblest written words are commonly as far behind or abovethe fleeting spoken language as the firmament with its stars is behind the clouds.
An orator can hardly get beyond commonplaces: if he does he gets beyond his hearers.
What is called eloquence in the forum is commonly found to be rhetoric in the study. The orator yields to the inspiration of a transient occasion, and speaks to the mob before him, to those who can hear him; but the writer, whose more equable life is his occasion, and who would be distracted by the event and the crowd which inspire the orator, speaks to the intellect and heart of mankind, to all in any age who can understand him.
Eloquence, at its highest pitch, leaves little room for reason or reflection, but addresses itself entirely to the desires and affections, captivating the willing hearers, and subduing their understanding.
It cannot reasonably be doubted, but a little miss, dressed in a new gown for a dancing-school ball, receives as complete enjoyment as the greatest orator, who triumphs in the splendour of his eloquence, while he governs the passions and resolutions of a numerous assembly.
Lips move; lips touch; lips signal. Lips are on the outside for show, and on the most secret inside of your mouth. Lips frame words that lie. Lips frame a hole that wants to be filled.
If it is naturally in you to be a good orator, a notable orator you will be when you have acquired knowledge and practice.
The orator is thereby an orator that keeps his feet ever on a fact.
Eloquence wins its great and enduring fame quite as much from the benches of our opponents as from those of our friends.
No living orator would convince a grocer that coffee should be sold without chicory; and no amount of eloquence will make an English lawyer think that loyalty to truth should come before loyalty to his client.
The hearts of men are their books; events are their tutors; great actions are their eloquence.
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