A Quote by Alton Brown

I only really fake it anymore with sommeliers who are being really snotty to me and I don't want to take their grief and so I try to do something to kind of throw them off or put them on the defensive, even if I don't know what I'm talking about
I only really fake it anymore with sommeliers who are being really snotty to me and I don't want to take their grief and so I try to do something to kind of throw them off or put them on the defensive, even if I don't know what I'm talking about.
I only try to talk to people about things I really do use in my shot. If I see something similar and something that will help them, then you try to come to them and say, 'I think I might have something for you. Think about it if you like it.' If they do, and they want to keep talking about it, then I will.
We were talking about that actually - so many of the girls now, you don't really know any of them anymore. Me and Sasha Pivovarova were talking about it, about doing shows, and how we only know each other and a few other girls. Everyone gets replaced rather quickly in modeling.
The broadcasting industry definitely has changed, and I'm talking about young broadcasters who come along today, they really feel like they have to do something that's outlandish to make them stand out. They have to say something provocative that maybe they don't even really truly believe in their heart and, it's not really what their beliefs are, but they're going to sacrifice their beliefs to try to do something to gain attention.
There was this large group of people that we were talking about on the first album - "The Youth" - but we didn't really know what to tell them. We still don't know what to tell them, but we want to make it seem like maybe there's something we know that they want to know, too.
Life's about a hell of a lot more than being happy. It's about feeling the full range of stuff: happiness, sadness, anger, grief, love, hate. If you try to shut one of those off, you shut them all off. I don't want to be happy. I know I won't live happily ever after. I want more than that, something richer. I want to go right up close to the beauty and the ugliness. I want to see it all, know it all, understand it all. The richness and the powerty, the joy and the cruelty, the sweetness and the sadness. That's the best way I can honour my friends who died.
I'm kind of a geek when it comes to talking about chord structures or melody, so I always loved in-depth conversations with musicians about things. I also enjoy when a fan can just put something on, and they really know nothing about music other than they like it and it touches them in some way.
I feel less and less like that every year, and I guess maybe even more so with every new record that I put out. I just think, as the years go by, it's harder and harder to really find a reason to be annoyed that you made something that people want to continuously talk about. Certainly there are contexts in which the record can be discussed which will get me on the defensive and make me want to put some kind of calibration or some kind of context on what the record means in relation to my career as a whole.
Customers should complain more. You know, food's expensive nowadays. And these sommeliers come along with their thousand-page wine list and practically throw it in your lap. They're all businessmen and know that customers get intimidated and buy something overpriced. I say, always put them on the spot. 'You come back to me with a red wine at $30, $40. Come back to me with a choice.'
I already know the Internet is going to try to take little stuff and run with it. I don't really try to get too caught up, because it will throw me off my focus.
Incidentally, part of a photographer’s gift should be with people. You can do some wonderful work if you know how to make people understand what you’re doing and feel all right about it, and you can do terrible work if you put them on the defense, which they all are at the beginning. You’ve got to take them off their defensive attitude and make them participate.
I don't really think much of any songs I put out like I know... I think they're good, that's why I'm putting them out. But like I don't ever try to expect anything, so even with 'Caroline' or 'Red Mercedes,' I just put them out and hope for the best and people kind of gravitate towards them and I guess that's pretty cool and that's a blessing.
I think celebrities are kind of put up on a pedestal and we don't really know much about them. I feel like my fans know every part of me because I've shown them.
Obviously, you want to teach your child between right and wrong, respect and being kind to others, whether it's their sisters or parents. You try to teach them by example, talk to them and explain certain situations. But there's also a time to put them in time out or let them know they've made a mistake and try to learn from it.
I don't even look at resumes anymore. I think they're misguided. I talk to them, ask them where they've been, "What's your favorite experience in a restaurant?" Where do they like to eat? Blah blah blah. All that stuff, but I can only really describe my journey with another person if I can connect with them and their passion. Otherwise, I don't care where they've worked. It doesn't matter to me. Really I have to feel it, and then I can teach them anything.
Maybe he didn’t really encourage me to do things, but he didn’t prevent me from doing them either. But after a while, I didn’t do things because I didn’t want him to think different about me. But the thing is, I wasn’t being honest. So, why would I care whether or not he loved me when he didn’t really even know me?
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