A Quote by Alun Wyn Jones

A draw is the lesser of two evils. A loss or a draw, then obviously we are going to take the draw. — © Alun Wyn Jones
A draw is the lesser of two evils. A loss or a draw, then obviously we are going to take the draw.
I draw all the time. Drawing is my backbone. I don't think a painter has to be able to draw, I just think that if you draw, you better draw well.
I found out animation is incredibly boring. You draw and draw and draw, and it's only a few seconds done in a week.
The women I draw all have the same sort of personality. I can't draw gentle girls; I only know how to draw ones who are strong-willed.
I would like to say to children, 'Don't stop drawing. Don't tell yourself you can't draw.' Everyone can draw. If you make a mark on a page, you can draw.
I draw because words are too unpredictable. I draw because words are too limited. If you speak and write in English, or Spanish, or Chinese, or any other language, then only a certain percentage of human beings will get your meaning. But when you draw a picture everybody can understand it. If I draw a cartoon of a flower, then every man, woman, and child in the world can look at it and say, "That's a flower.
One must always draw, draw with the eyes, when one cannot draw with a pencil.
I don't draw every day. I tend to draw intensely during certain periods of time. I draw to amuse myself on occasion, when I am bored and drawing is the only fun to be had.
You know what I am going to say. I love you. What other men may mean when they use that expression, I cannot tell. What I mean is that I am under the influence of some tremendous attraction which I have resisted in vain, and which overmasters me. You could draw me to fire, you could draw me to water, you could draw me to the gallows, you could draw me to any death, you could draw me to anything I have most avoided, you could draw me to any exposure and disgrace. This and the confusion of my thoughts, so that I am fit for nothing, is what I mean by your being the ruin of me.
There's no such thing as an open draw. At least for me - I mean, obviously for Roger Federer, I think every draw feels open for him - but for me there's no such thing as an open draw
[With theater] you draw the audience into the room as best you can, and in film, you can draw them into the room, you can draw them outside into the desert, you can take them out into the ocean, you can do all these amazing things.
Observe Everything. Communicate Well. Draw, Draw, Draw.
Art is limitation; the essence of every picture is the frame. If you draw a giraffe, you must draw him with a long neck. If in your bold creative way you hold yourself free to draw a giraffe with a short neck, you will really find that you are not free to draw a giraffe.
You draw me, you hard-hearted adamant; But yet you draw not iron, for my heart Is true as steel: leave you your power to draw, And I shall have no power to follow you.
Draw nigh to God, and He will draw nigh to you. Keep near to the fountain-head and with joy shall ye draw water out of the wells of salvation.
Working with the kind of talent that I've gotten to work with, like the cast of Sin City, it makes me think probably more fully dimensionally about what is going on behind their eyes. But I draw the way I draw, and ain't nothing gonna change that. Although, I draw Marv and I think, "Boy, I could throw a little Mickey [Rourke] in there."
A painter told me that nobody could draw a tree without in some sort becoming a tree; or draw a child by studying the outlines of its form merely but by watching for a time his motions and plays, the painter enters into his nature and can then draw him at every attitude.
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