A Quote by Alun Wyn Jones

I got to a stage in my mid-20s where I was focusing on 'what's next, what's next,' and sometimes you don't enjoy what you should. — © Alun Wyn Jones
I got to a stage in my mid-20s where I was focusing on 'what's next, what's next,' and sometimes you don't enjoy what you should.
Sometimes I see players that think, and you can tell they're thinking of the next phrase to play or the next thing to do, the next little cute trick, and that's sad, man, you know. That's not makin' music; that's puttin' together puzzles, you know. Music should flow from you and it should be a force; it should be feeling, all feeling, man.
I don't know where I see myself next month let alone five years. My whole life is last minute. I enjoy the spontaneity of it; I like not knowing what I will do next or whether I will be in the country next week. I just enjoy being around a creative environment.
I got really bored of sitting around waiting for work or for the next movie to come along that only 100 people would see. I got bored of being skint, of twiddling my thumbs, wondering how to take my life to the next stage.
Sometimes you've got to be a little flexible. For the most part, it's hard to get players to look at the big picture also. I understand that. They're looking at their next start or their next at-bat.
Dread, which is closely related to fear, steals the ability to enjoy ordinary life and makes people anxious about the future. It keeps them from looking forward to the next day, the next month, or the next decade.
If I tell a joke on stage and the crowd laughs for a minute, I stand there for a minute and enjoy them laughing before I go on to the next joke. On TV, if I stand there for a minute while they laugh, I look like an idiot who can't remember the next joke.
Sometimes you win and sometimes you lose, but the mind has to be ready for the next game and get focused for the next game and helps you for next win.
For the first fourteen years for a rod they do while for the next as a pearl in the world they do shine. For the next trim beauty beginneth to swerve. For the next matrons or drudges they serve. For the next doth crave a staff for a stay. For the next a bier to fetch them away.
I always thought I had a face like the moon, because I had really chubby cheeks when I was a kid, right up until my mid-20s. My face changed in my later 20s and again in my mid-30s.
We live in the Age of the Next New Thing; we're assaulted day and night by tastemakers telling us what the next hit will be, the next style, the next cool.
Halfway through Numbers, I got really jaded, and I had these unrealistic expectations about what Numbers could be. I thought it should be Emmy-nominated. I was in my mid-20s, so I was kind of shortsighted and silly.
You shouldn't try to stop everything from happening. Sometimes you're supposed to feel awkward. Sometimes you're supposed to be vulnerable in front of people. Sometimes it's necessary because it's all part of you getting to the next part of yourself, the next day.
That's probably fair to say that there is a certain amount of pressure to deliver your next role when you do have a fan base as potent as the 'Battlestar Galactica' family. There was certainly a lot of curiosity to all of us on that show - what are you going to do next? Where can we see you next? That was a question we got more often than not.
We've got to stop the name-calling and we've got to stop looking at the next election. We've got to be focused on figuring out what we're doing for the next generation.
You never know: the next DJ Snake, the next Skrillex, the next big DJs might wait outside of the club. You gotta give back and listen to the next generation and show some love.
You've got to remember even the Apple regeneration started with colorful iMacs. So let us first get the colorful iMacs. I think with what we're doing with Lumia, we're at that stage. I want to do good devices that people like, and then we will go on to doing the next thing and the next thing.
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