A Quote by Alun Wyn Jones

I find it hard to believe that anyone could be playing regularly and saying they do not have a niggle. It is the nature of the beast, what you get when you play a lot of rugby: you have to get another niggle to forget about the one you already have.
One of the highlights of my career was playing first class rugby for my province, which was Wellington. Another highlight was playing first class rugby with my brothers. Not many brothers get to do that. I can't explain what it felt like to be out there, playing with them. It was a great feeling.
In the past, whenever I had a niggle, I would ignore it and let it heal on its own. Now, I tell the physio that I am facing some difficulty.
People think of rugby players as being tough but it's another thing to stand in front of someone and get kicked, punched, taken down. In rugby you have two contact sessions a week and you play a game on the weekend.
.. I get more of a dreamy thing from the audience - it's more of a thing that you go up into. You get into such a pitch sometimes that you go up into another thing. You don't forget about the audience, but you forget about all the paranoia, that thing where you're saying, 'Oh gosh, I'm on stage - what am I going to do now ?' - Then you go into this other thing, and it turns out to be like almost like a play in certain ways
I am one of these characters who seems to thrive off a little bit of niggle, a little bit of pressure.
eah, you don't get a lot of meatheads doing improvised theater to begin with, and that's always been my thing. I talk about the nerd/meathead dichotomy on my podcast a lot, but there was a time when I was doing UCB full-time and playing men's league rugby in New York City, and I was like the funniest, artsiest rugby player, and the bro-iest improv comedian. I've always managed to sort of be in both sides.
Players want to play a lot of rugby. We're walking contradictions at times in that we want to play a lot of rugby, but we don't want to play too much rugby, and we want to be available for all the big games, yet there are times when you have to sacrifice that because of game limits.
A lot of time we don't get into politics because we don't believe anything you're saying and we can't understand what you're saying because we ask you question and you tap dance around the issue so much that we forget what we asked.
It's a despicable world we're living in now. It's the most disgusting time for music in terms of big wigs, guys who like playing the game. It's hard to get your stuff heard. I find it really annoying actually. I think my music would appeal to a lot of people but being on Warp in the States it's really hard to get radio play and exposure. We need to push this internet revolution forward quickly.
There's people that have labored and labored and it takes them a long time before they get that break and then they get it. Then sometimes, I've seen guys with a lot of talent never get it. It's the nature of the beast.
Playing in Norway allowed me to get back out onto the pitch and get game time, it was great to be playing regularly again.
I thought that if I could play rugby on TV, I'd be able to get my mum a house. That was the driving factor.
In 2011 I stopped playing rugby for England so during the Six Nations, which is on during February and March, I was able to grab a week's skiing. But I still had to take it pretty easy because I didn't want to get injured while I was playing for Gloucester. In 2013, when I retired fully from rugby, I finally had the chance to go a couple of times a season.
The old saying of work hard, play hard really works for me. For me it's all about focus. To get the Fire Starter Sessions digital book out it was about three months of intense focus. I let my friends know that I probably wouldn't be hanging out of returning their phone calls. It wasn't about doing the dishes, I ordered a lot of pizza, and I just completely put myself in the creative bubble.
When you have to play a lot of tournaments and you get more experience and you get more confidence playing a lot of matches, and also you get mentally strong.
To me, all guitar players can play, because I know they're getting to where they're at. It's a very hard instrument to accept, because it takes years to start working with it, that's first, and it looks like everybody else is moving on the instrument but you. Then when you find a cat that's really playing, you always find that he's been playing a long time, you can't get around it.
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