A Quote by Alvaro Enrigue
In 'Where the Air is Clear', Carlos Fuentes composed a polyphonic portrait of Mexico City amid the growth and modernization brought on by the economic boom of the 1950s. The novel can be read as a jazz interpretation - free and in a Mexican key - of John Dos Passos' 'Manhattan Transfer'.
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By the 1950s The Novel had become a nationwide tournament. There was a magical assumption that the end of World War II in 1945 was the dawn of a new golden age of the American Novel, like the Hemingway-Dos Passos-Fitzgerald era after World War I.
-You think I’ve got a big ego and an attitude problem? -I don’t think you do, Carlos. I know it. Unfortunately, it’s a Fuentes flaw. -I’d call it an asset. It’s what makes us Fuentes brothers irresistible. Carlos and Brittany
With iron and blood, it seems, and from the rich depths of the earth, John Griswold has fashioned a classic American novel, its dignified intonations of our young nation's sweat and tears evocative of the indelible storytelling of Dos Passos, Frank Norris, and Upton Sinclair.
Economic growth is the key. Economic growth is the key to everything. But once you have economic growth, it is important that we reach out to people who live in the shadows, the people who don't seem to ever think that they get a fair deal.
There are two books that impressed me when I was very young. One was 'The Adventures of Augie March' - the idea of having something so generous, and so adventurous and improvisatory. The other was 'The U.S.A. Trilogy,' by John Dos Passos.
When I was young, I was a passionate reader of Sartre. I've read the American novelists, in particular the lost generation - Faulkner, Hemingway, Fitzgerald, Dos Passos - especially Faulkner. Of the authors I read when I was young, he is one of the few who still means a lot to me.
I'd always admired the intellectuals who had made the transition into politics - Mario Vargas Llosa in Peru, Vaclav Havel in the Czech Republic, Carlos Fuentes in Mexico - but I knew that many of them had failed, and in any event, I wasn't exactly in their league.
The conviction of tragedy that rises out of his [John Dos Passos's] work is the steady protest of a sensitive democratic conscience against the tyranny and the ugliness of society, against the failure of a complete human development under industrial capitalism.
The literature of the Spanish Civil War is also important to me. Above all George Orwell's "Homage to Catalonia" as well as the writing of John Dos Passos and Ernest Hemingway. They worked on a film together in Spain during that war, which ended their friendship.
John Dos Passos, Raymond Carver, Flaubert and William Maxwell were all very influential when I first started writing. Now, the writers I'm most interested in are the writers who are most unlike me: for example, Denis Johnson.
One of the key principles of Trumponomics is that faster economic growth can help solve a multitude of other social and economic problems, from poverty to inner-city decline to lowering the national debt.
When Mexico enjoys an economic boom while the U.S. is in dire fiscal straights, it seemed perfectly credible that Mexico would not roll out the welcome mat for unemployed Americans.
Polyphonic prose is a kind of free verse, except that it is still freer. Polyphonic makes full use of cadence, rime, alliteration, assonance.
Every air traveler entering Mexico is vetted against US databases. The air passenger screening system Mexico has in place involves these checks against US national security and criminal data bases. There are plainclothes US officers stationed at airports in Mexico working with Mexican immigration officials to protect the United States. This joint security program has been in place for at least six years and is a huge asset.
Many Mexican directors are scared to shoot in Mexico City, which is why there are many stories in Mexican cinema about little rural towns, or set a hundred years ago.
If I could not be in this free and wonderful country - I wouldn't want to be anywhere else, mind you - Mexico is where I would live. I love Mexico, and I love the Mexican people.
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