A Quote by Alvin Ailey

We still spend more time chasing funds than we do in the studio in creative work. — © Alvin Ailey
We still spend more time chasing funds than we do in the studio in creative work.
I want people to help take care of each other at work. That's what I want. Do you know how many hours we spend at work? We spend more time at work than we spend at home. When people are suffering, we don't help enough.
The early years of Hanna-Barbera were more fun than the later ones. I was working more in the creative areas of timing and direction then. But as the studio grew, I became more involved in administration and got away from the creative aspects.
I think we have in Germany too many sickness funds. We started with more than 1,000 sickness funds. But the fewer sickness funds there are, the less bureaucracy and the easier the system is to operate. But it is important that the best sickness funds survive.
I believe that our teachers need more freedom to be creative in the classroom in order to maximize the time students spend learning, not the time they spend taking tests.
In the studio we spend a lot of time working our what materials will work best and also last. We do tests and come back to them years later to see how they are still performing, and this leads our decisions.
I suppose that anyone who does any kind of creative work some time in their life - especially as you grow into middle age! - you come to a time where you really question more and more frequently, whether you have anything else to offer. And at its worst, you feel utterly bereft of whatever creative force it takes to do that work.
If creative work protects a man against mental illness, it is small wonder that he pursues it with avidity; and even if the state of mind he is seeking to avoid is no more than a mild state of depression or apathy, this still constitutes a cogent reason for engaging in creative work even when it brings no obvious external benefit in its train.
My mom calls me an older soul because, growing up, she taught me stuff real early. Now I spend most of my time chasing wisdom, chasing understanding.
My days, sometimes, it's just about work. I'm not thinking about taking a picture in the studio, and I don't have the time to stop being creative to stop and post on Instagram. That's not a part of my creative process.
I've noticed in my life that as you work on more things with more people, you spend less time hanging out with other people who are artists, creative people who give you a sense of family.
You see more sitting still than chasing after.
I spend a lot of time working and with my family, so I don't have much time around the edges to do much else. I don't really listen to a great deal of music. I love music, but since I spend a lot of time in the studio, we probably watch a movie rather than listen to albums. I get to hear stuff, but not on the grand scale.
The more time I spend working on 'Sekiro,' the deeper I sink into this zone of blood and gore and conflict. But if I want to get out of it, I can walk over to the other side of the studio and ease myself into a completely different feeling when I work on 'Deracine.'
I can be completely indulgent and spend as many hours and days or weeks as I like on one thing. Writing music and sitting in my studio, just pottering with ideas, it's a lot more personal and creative for me, I don't feel restricted.
There are still things out there in the universe to contemplate and spend our lives chasing.
Who you work with is even more important than who you hang out with because you spend a lot more time with your workmates than your friends.
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