A Quote by Alvin Ailey

From his roots as a slave, the American Negro - sometimes sorrowing, sometimes jubilant but always hopeful - has touched, illuminated, and influenced the most remote preserves of world civilisation. I and my dance theater celebrate this trembling beauty.
Its roots are in American Negro culture, which is part of the whole country's heritage, but the dance speaks to everyone... Otherwise, it wouldn't work.
I listen to my political rivals sometimes with fear and trembling, sometimes with awe, sometimes with near panic, but always with a curiosity of nuances, curiosity for the language, curiosity for the story behind the 'impossible' position.
Always the seer is a sayer. Somehow his dream is told; somehow he publishes it with solemn joy: sometimes with pencil on canvas, sometimes with chisel on stone, sometimes in towers and aisles of granite, his soul's worship is builded; sometimes in anthems of indefinite music, but clearest and most permanent, in words.
There is beauty in our roots. Sometimes we think our roots are shameful, and people tell you that you're no good or your ancestors are no good or that you come from a neighborhood of no hope and terrible crime. But it's about the beauty of those places, and I carry that with me.
Dance songs can be different sometimes - sometimes it could be related to liquor, sometimes to a girl, sometimes even a romantic track.
Sometimes the beauty is easy. Sometimes you don't have to try at all. Sometimes you can hear the wind blow in a handshake. Sometimes there's poetry written right on the bathroom wall.
You know, artists are influenced by other artists. We're all deeply influenced by what's around us; we don't make anything cold. Sometimes we think that we do. But within that, the most important part is that even though we're influenced, what are the levels of invention that we carry forth even as we've been influenced by something that's come before?
We should emphasize not Negro History, but the Negro in history. What we need is not a history of selected races or nations, but the history of the world, void of national bias, race, hate, and religious prejudice. There should be no indulgence in undue eulogy of the Negro. The case of the Negro is well taken care of when it is shown how he has far influenced the development of civilization.
So sometimes things are ahead and sometimes they are behind; Sometimes breathing is hard, sometimes it comes easily; Sometimes there is strength and sometimes weakness; Sometimes one is up and sometimes down. Therefore the sage avoids extremes, excesses, and complacency.
It is central to Christian living that we should celebrate the goodness of creation, ponder its present brokenness, and, insofar as we can, celebrate in advance the healing of the world, the new creation itself. Art, music, literature, dance, theater, and many other expressions of human delight and wisdom, can all be explored in new ways.
You know, sometimes I feel well and vital in the world, and sometimes I just feel so distressed I want to pull my hair out by the roots.
Sometimes you dance with a partner, and sometimes you dance alone. But the important thing is to keep dancing.
I am NOT a belly dancer. I have never been one, and never will be. What I do is not what Hollywood vulgarly calls 'belly dance', but it's art. I have traveled the world to prove that my dance is not a dance of the belly but a refined, artistic dance full of tradition, of dreaming and beauty. Oriental dance is primarily an expressive dance; in that resides the beauty.
Neither the true nor the false roots are always real; sometimes they are imaginary; that is, while we can always imagine as many roots for each equation as I have assigned, yet there is not always a definite quantity corresponding to each root we have imagined.
A heavenly location for the actions of the savior gods, including the death of Christ, would also have been influenced by most religions' ultimate derivation from astrotheology, as in the worship of the sun and moon. For this dimension of more remote Christian roots, see the books of Acharya S, especially 'Suns of God.
There was such a difference, he thought, between the beauty that illuminated, and the beauty that was illuminated.
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