A Quote by Alvin Langdon Coburn

I wish to state emphatically that I do not believe in any sort of handwork or manipulation on a photographic negative or print. — © Alvin Langdon Coburn
I wish to state emphatically that I do not believe in any sort of handwork or manipulation on a photographic negative or print.
Any familiarity with photographic history shows that manipulation is integral to photography.
The (photographic) negative is the equivalent of the composers score and the print is the equivalent of the conductors performance.
Since the recording process is instantaneous, and the nature of the image such that it cannot survive corrective handwork, it is obvious that the finished print must be created in full before the film is exposed.
I don't believe any more in democracy. But I can't believe in the old sort of aristocracy, either, nor can I wish it back, splendid as it was. What I believe in is the old Homeric aristocracy, when the grandeur was inside a man, and he lived in a simple wooden house.
If it were possible for any one person or group of persons to go through a photographic finishing plant's work at the end of a day, you could probably pull out the most extraordinary photographic exhibition we've ever seen. On almost any subject. The trouble is to find the things.
I wish there were some photographic process by which one's mind could be struck off and transferred to that of the friend we wish to know it, without the medium of this confounded letter-writing!
Clearly, the qualities Poles admire in a secretary of state - foreign languages, diplomatic experience, even sense of humor - are emphatically not those desired in a head of state: So be it.
I must emphatically state that Cambridge Analytica does not condone or engage in entrapment, bribes or so-called 'honeytraps', and nor does it use untrue material for any purpose.
The fundamental peculiarity of the photographic medium; the physical objects themselves print their image by means of the optical and chemical action of light.
The state of sleep is a state of freedom in which man is not occupied with the manipulation of the outside world.
There is a considerable amount of manipulation in the printmaking from the straight photograph to the finished print. If I do my job correctly that shouldn't be visible at all, it should be transparent.
We were working with this lousy print and it just wasn't going to be good enough. I said that we should get the original negative and do it from that. Well, a couple guys pointed out that the negative was locked up over at Deluxe.
I start with no preconceived idea - discovery excites me to focus - then rediscovery through the lens - final form of presentation seen on ground glass, the finished print previsioned completely in every detail of texture, movement, proportion, before exposure - the shutter's release automatically and finally fixes my conception, allowing no after manipulation - the ultimate end, the print, is but a duplication of all that I saw and felt through my camera.
There is a tendency for humans to consciously see what they wish to see. They literally have difficulty seeing things with negative connotations while seeing with increasing ease items that are positive. For example, words that evoke anxiety, either because of an individuals personal history or because of experimental manipulation, require greater illumination before first being perceived.
I don't believe in anything, yet I believe emphatically in almost everything. It all depends on what seems appropriate at the time.
I was growing up and maturing at a time where we were invisible, man. We were nowhere except negative. Any time you saw a Latin person in Hollywood or on TV, they were some sort of negative character.
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