A Quote by Alvin Langdon Coburn
I affirm that any sort of photograph is superior to any sort of painting aiming at the same result.
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I feel no obligation to teach my readers anything, to impart any sort of wisdom, to teach any sort of lesson, to instill any sort of morality. All I'm trying to do is make them and their parents laugh.
The curse of me and my nation is that we always think things can be bettered by immediate action of some sort, any sort rather than no sort.
Like commercial stuff is sort of cheap and disposable and fun and can be sort of interesting in many ways. I love being in popular culture and existing in the evolution of popular culture. But it's so different from painting, and it's so different from that sort of slow, contemplative, gradual process that painting is.
I've wanted to be a professional actor for years and if you get any sort of success in that field then fame sort of comes along with it. But I don't know if I'm sort of media fodder like other people are. I'm essentially a family man.
Number is different from quantity. This difference is basic for any sort of theorizing in behavioral science, any sort of imagining of what goes on between organisms or inside organisms as part of their processes of thought.
I don't believe any sort of traveler does a better job than any other sort of traveler at obeying traffic safety laws. It's difficult to foresee a camera program that can be used with bikers and walkers.
The essayist . . . can pull on any sort of shirt, be any sort of person, according to his mood or his subject matter - philosopher, scold, jester, raconteur, confidant, pundit, devil's advocate, enthusiast.
Can you also, Lucullus, affirm that there is any power united with wisdom and prudence which has made, or, to use your own expression, manufactured man? What sort of a manufacture is that? Where is it exercised? when? why? how?
When anyone asks me how I can best describe my experiences of nearly forty years at sea, I merely say uneventful. I have never been in an accident of any sort worth speaking about....I never saw a wreck and have never been wrecked, nor was I ever in any predicament that threatened to end in disaster of any sort.
When I am in a painting, I'm not aware of what I'm doing. It is only after a sort of 'get acquainted' period that I see what I have been about. I have no fears about making changes, destroying the image, etc, because the painting has a life of its own. I try to let it come through. It is only when I lose contact with the painting that the result is a mess. Otherwise there is pure harmony, an easy give and take, and the painting comes out well.
Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but actually a trace of it. No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does.
I think when you work alone - the way I do it, anyway - you could sort of liken it to painting, where there's sort of a one-on-one with the canvas.
It was a time of madness, the sort of mad-hysteria that always presages war. There seems to be nothing left but war--when any population in any sort of a nation gets violently angry, civilization falls down and religion forsakes its hold on the consciences of human kind in such times of public madness.
We sort of have given up on the idea of taking any sort of personal responsibility for what we see. I don't understand it at all. There are many things that I won't let my kids watch.
I never expected any sort of success with 'Mockingbird'... I sort of hoped someone would like it enough to give me encouragement.
My ideal city is more like the city (New York and Paris come to mind, but it sort of applies to all) that existed up to and including the 1930s, when different classes lived all together in the same neighborhoods, and most businesses of any sort were mom-and-pop, and people and things had a local identity.
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