A Quote by Alvin Langdon Coburn
It is my hope that photography may fall in line with all the other arts and with her infinite possibilities, do things strange and more fascinating than the most fantastic dreams.
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Galactica has infinite possibilities. In fact, my character may be abnormal in the sense that she may be more independent than most of the women in classic space adventures.
The arts equally have distinct departments, and unless photography has its own possibilities of expression, separate from those of the other arts, it is merely a process, not an art.
I think dreams hold a lot of meaning. I believe that if the universe is truthfully infinite then there are infinite possibilities for dreams to be happening somewhere out there.
Photography is a system of visual editing. At bottom, it is a matter of surrounding with a frame a portion of one's cone of vision, while standing in the right place at the right time. Like chess, or writing, it is a matter of choosing from among given possibilities, but in the case of photography the number of possibilities is not finite but infinite.
The idea of the future, pregnant with an infinity of possibilities, is thus more fruitful than the future itself, and this is why we find more charm in hope than in possession, in dreams than in reality.
Photography is to the layman perhaps the most enticing art. As a buff and a follower, at a respectful distance, I find myself like others, having the heart of a Steiglitz with hands that sometimes seem impeded by boxing gloves. What is exasperating is that one can feel closer to managing the skills of photography than most other arts, and yet be a long hop, skip and delusional way from it.
The world of the cinema and of painting are very different; precisely, the possibilities of photography and the cinema reside in that unlimited fantasy which is born of things themselves... a piece of sugar can become on the screen larger than an infinite perspective of gigantic buildings.
[I]n general, my work is less about expanding the possibilities of photography than about re-investing it with a truer perception of things by returning to a simple method, one that photography had from the beginning of its existence.
. . . strange and fantastic things really happen. During a rainstorm in Australia, fish fall from the sky; several Southern states consider legislation that would make the licking of toads illegal; Lisa Presley marries Michael Jackson. You read these things and you think to yourself that realism may not be the best medium through which to express the real world.
The humorous look of children is perhaps the most endearing of all the bonds that hold the Cosmos together. Their top-heavy dignity is more touching than any humility; their solemnity gives us more hope for all things than a thousand carnivals of optimism; their large and lustrous eyes seem to hold all the stars in their astonishment; their fascinating absence of nose seems to give to us the most perfect hint of the humour that awaits us in the kingdom of heaven.
To know whether photography is or is not an art matters little. What is important is to distinguish between good and bad photography. By good is meant that photography which accepts all the limitations inherent in photographic technique and takes advantage of the possibilities and characteristics the medium offers. By bad photography is mean that which is done, one may say, with a kind of inferiority complex, with no appreciation of what photography itself offers: but on the contrary, recurring to all sorts of imitations.
...I have so many dreams of my own, and I remember things from my childhood, from when I was a girl and a young woman, and I haven't forgotten a thing. So why did we think of Mom as a mom from the very beginning? She didn't have the opportunity to pursue her dreams, and all by herself, faced everything the era dealt her, poverty and sadness, and she couldn't do anything about her very bad lot in life other than suffer through it and get beyond it and live her life to the very best of her ability, giving her body and her heart to it completely. Why did I never give a thought to Mom's dreams?
It's a fine line of doing what's good for your life and what your parents want you to do, but also following your dreams. With my parents, when I was younger, I always had to do two things. If I was acting, I always had to do a sport or something on the arts side of things, along with that. That way, if one fell apart, I always had something else to fall back on.
I believe that street photography is central to the issue of photography—that it is purely photographic, whereas the other genres, such as landscape and portrait photography, are a little more applied, more mixed in the with the history of painting and other art forms.
Each of us is free to move our consciousness through that infinite pattern of possibilities as we please. If we're filled with fears, or if we trust the fears of others, we'll choose a path in which our city falls into the sea, or a path in which a third world war vaporizes us, or whatever other disaster is most thrilling or horrifying or fascinating for us.
If you're like most members of the Baby Boom generation, you decided somewhere along the line, probably after about four margaritas, to have children. This was inevitable. Mother Nature, in her infinite wisdom, has instilled within each of us a powerful biological instinct to reproduce; this is her way of assuring that the human race, come what may, will never have any disposable income.
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