A Quote by Alvin Lee

That's the kind of musical freedom I like: jazz, rock, blues, anything. You adopt different attitudes when you play different music. — © Alvin Lee
That's the kind of musical freedom I like: jazz, rock, blues, anything. You adopt different attitudes when you play different music.
I think we as a band, as individuals, understand that all popular music stems from blues and jazz and even pop, but rock 'n' roll especially comes from blues. What we're trying to do is play rock 'n' roll, but other people call it different things.
My influences are jazz, blues, European classical music; they are rock music and pop music. So many kinds of music. World music from different countries like India and China. I think that would be a shame not to take advantage and do something... not unique, because I don't have this pretension.
Like, I'm trying to make a statement that clean comedy is somehow better or loftier than dirty comedy, and I don't feel that way at all. I just think it's different. It's different. There's rock music, there's jazz music, there's reggae music: All of those forms are different.
We're not like a nostalgia act, or the normal classic rock act - we're a really good musical organization, ... You're going to hear some blues, some jazz, a little of everything. The guys in the band are great musicians. When we play, we're there for real. It's not about posing, strutting in tights, that kind of stuff. It's all about music, and I've always respected my audience that way.
I started out trying to play more straight-ahead jazz. I went to Berklee in the early '60s when it was a brand new school, and so there was no fusion music. There wasn't a lot of mixing together of different kinds of music at that time, so jazz was kind of pure jazz.
See, I have a different type of music from other peoples. They playing the other kind of blues, and I'm playing cotton-patch blues.... Ain't nobody now can play the blues that I play.
If you were to talk to somebody from Georgia you would understand what he's saying, he wouldn't sound like your next-door neighbor in Montana, but other than that it's the same language, just with a few little different nuances. That's just like country and blues, or blues and rock 'n' roll. They're the same music with different accents.
I don't know why people call me a jazz singer, though I guess people associate me with jazz because I was raised in it, from way back. I'm not putting jazz down, but I'm not a jazz singer...I've recorded all kinds of music, but (to them) I'm either a jazz singer or a blues singer. I can't sing a blues – just a right-out blues – but I can put the blues in whatever I sing. I might sing 'Send In the Clowns' and I might stick a little bluesy part in it, or any song. What I want to do, music-wise, is all kinds of music that I like, and I like all kinds of music.
Even though there are so many different 'kinds' of music - different textures, different timbres, different attitudes - there is something divine at the core of all music.
Blues is the bedrock of everything I do. All the characters in my plays, their ideas and their attitudes, the stance that they adopt in the world, are all ideas and attitudes that are expressed in the blues.
Blues is the bedrock of everything I do. All the characters in my plays, their ideas and attitudes, the stance they adopt in the world, are all ideas and attitudes that are expressed in the blues.
You got to look the part. You have to look like all the successful rock bands look. This is what they do. That's never been us. You know, it's a hard game to play: at the end of the day, we are just a rock band and have so many different cultures of music that we have grown up on, because we are fans of all different kinds of music.
These characters were like twelve-bar blues or other chord progressions. Given the basic parameters of Batman, different creators could play very different music.
I think of myself as a jazz player, and my music as a natural extension of the jazz tradition. What I'm doing is completely free improvisation ('composing in real time') with nothing predetermined. I've had a lot of experience playing many different kinds of music and several different instruments, and since I tend not to waste anything, it all shows up somewhere in the music I'm playing now.
Country music, like rock or blues, can move over into a lot of different areas.
What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.
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