A Quote by Alvin Lee

I just play to the people I can see. So it's almost like you are playing to the first few rows of the crowd. You can see the faces of the first hundred people, but then it becomes a blur as the crowds disappear over the hill.
It's like first grade where you make all your mistakes and people see it and yet some people see that there's something there that's really valuable. That's the way it went for more than 2 years almost 3 years of playing.
The first time people come to see me, it's usually because they're curious. Then maybe some of them return. I look out in the audience and see the same faces, the same wonderful, loyal faces.
At first, my love was just to be in the studio and make the music and enjoy it when I hear it played back, but then the biggest thing for me was to see the response of the people. When you go out and see the energy in the crowd, it's incredible.
When you see your father playing in the first division, and you see players like Ronaldo with the crowd singing their names, you want that.
When I first heard that they were going to make 'Beauty and the Beast' at Disney, I was like, 'Oh, God, there's no way I'm going to see that movie,' because I knew what that movie was, was just two people sitting down to dinner over and over and over again. But then when I went to see it, it was like, 'Oh, they made it work.'
I've played in front of a hundred thousand people and it's easy for me to squint my eyes and blur my vision and then all the people just turn into a giant piece of pizza or something. Everyone becomes one, you know.
What people do who go into politics I can't think; it drives me almost mad to see mismanagement over only a few hundred acres.
The first person who showed me that I could be a maker of music was one of my best friends. It's like, you can't see yourself doing something until you see somebody else doing it. Other people were encouraging me singing, but this was the first time that I could see myself writing songs and playing guitar.
People do not read first. First and foremost, they see color. Then they see numbers, then shape, and then, if you still have their attention and they understand what you put in front of them, then they will read.
There's no better feeling than sitting on the team bus travelling to the Millennium Stadium knowing that the team will be playing in front of 74,500 people. You're driven through the crowds where you see the smiles on people's faces and I get a huge buzz out of that.
I've played for crowds as small as 30 people. As long as people want to see me play then I'll perform.
The first few times I was asked to audition for the part of Angelica Schuyler in 'Hamilton,' I turned it down. I was convinced I was too over-the-hill to play a Nicki Minaj-type rapper. When I finally showed up, the role was waiting for me. But I almost missed it.
For a long time - when we first started getting a much higher level of attention - I really struggled with feeling like I was letting people down. Because when you do a show, there are, like, a hundred fans waiting to see you afterwards, and sometimes you can't see them.
I always tell people there's some kind of wall that you have to break through to see the beauty of L.A. The first few times I came here, I was like, 'I don't know about this place.' Then one day, it just totally flipped for me. It was crazy.
That's kind of fuse for the show - those first 10-15 seconds you're onstage. The curtain drops and you see the crowd for the first time and they see you for the first time. The response and the energy that's going on right there - to me, that sets the tone for the rest of the night.
I don't see masses, I don't see it like, oh there's hundreds of people here and I'm overwhelmed. I just try to think, well I could be a kid in that crowd, or my daughters could be in that crowd, and no one wants to feel like they're just part of the masses.
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