A Quote by Alvin Leung
Bo Innovation is there for anyone who comes to Hong Kong and wants to learn about Hong Kong in the shortest amount of time.
Related Quotes
When I look at 'Fallen Angels,' I realize it is not a film that is truly about Hong Kong. It's more like my Hong Kong fantasy. I want Hong Kong to be quiet, with less people.
Hong Kong people say Hong Kong needs to preserve its uniqueness. I say Hong Kong's uniqueness is in its diversity, its tolerance of difference cultures... China does not want to see Hong Kong in decline. I have full confidence in its future.
Hong Kong compatriots will surely display great love for the motherland and for Hong Kong and take it as their utmost honor to maintain long-term prosperity and stability in Hong Kong and safeguard the fundamental interests of the country.
I hope Hong Kong isn't just named Hong Kong but it can still be the Hong Kong we desire.
An affection for Hong Kong and a national identity are not mutually exclusive. We can let children learn more about Hong Kong's history, culture, politics, and social development, and at the same time, we must make them have their national identity.
I went back to Hong Kong for the first time in 17 years and I was culture shocked in Hong Kong.
I still remember 2002. It's a very hard time for Hong Kong industry, no movies in Hong Kong, and also at this moment I start my new company, so many people said, 'You're crazy.'
My films are never about what Hong Kong is like, or anything approaching a realistic portrait, but what I think about Hong Kong and what I want it to be.
Self-determination means the political and economic status of Hong Kong should be freely determined by the Hong Kong people.
People in Hong Kong are stylish and fashionable, which is one of the many reasons making Hong Kong itself such an energetic place.
Detention cells in Hong Kong are not pleasant. In Thailand they are even worse. In Hong Kong you are at least allowed to see your lawyers.
One of my goals is to have a base near mainland China. I think Hong Kong would be a good match for me. I like being in Hong Kong.
People are very surprised when they come to Hong Kong after seeing my films, because my version of it is quite different than Hong Kong in reality.
I really feel that Hong Kong is my home, and Hong Kong is my identity as an actor.
While we were shooting the movie, we shot in the actual hotel in Hong Kong where it all went down, the Mira Hotel. Laura Poitras was coming to Hong Kong to do a screening of Citizenfour, and she ended up staying at the Mira Hotel. It was her first time back in Hong Kong, and I ran into her in the elevator. Literally I had just finished shooting one day, and I came back to the hotel and she was in the elevator.
There was the Cultural Revolution just over the border, and Hong Kong felt quite dodgy. My younger brother's wife actually swam from China to Hong Kong to escape. I realised in the '60s that I had to get out.
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