A Quote by Aly Raisman
I really like the retro look. My regular clothing, I like to always keep it classy and I like to kind of be more dressed up more of the time. I'm not really someone you see in sweatpants a lot.
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I wore a lot of vintage clothing. I dressed like a reporter, with a little card in my hat. I had these fantasies of who I wanted to be, so I'd dress like an explorer, a cowboy. I dressed up like Elton John a lot too. That was another period.
I am really into color and bright clothing. When I'm wearing heels, I always like to throw some different colors into my outfit, so it doesn't match. That gives my look a retro and funky feel.
I've got the Rosebud lip balm. I was gonna say my phone but that's not a beauty product. I try to bring my mascara everywhere because I'm a blonde and you know blondes have really light eyelashes, you always wanna put more and more on til they look like spiders, that's just what I do. And that's about it. Those are the two things that I keep. Sometimes if I have a big enough purse I'll bring my perfume or something. Right now I really like Beaute, it's by Johan B. and it's really nice, so I like that.
I think it's really hard to find a good women's magazine, and I like that Glamour is way more about what you want and not what your man wants. I don't really know what it's like to be a woman yet, so I wouldn't have too much insight, but I guess it would be a bit interesting to have more of that granny style in there. Because I think it should be easier for women to feel like they don't have to be conventionally attractive or think of flattering clothing before they think of fun clothing.
If you take the fashion out of it, clothing has a lot of information - about how we feel about ourselves, how we'd like to feel about ourselves, and what we'd like to be: If you show up to an interview in sweatpants and a T-shirt, I'm going to deal with you in a really different way.
People are like, "Why are you all dressed up? Did you dress up just for me?" I'm like "No, I dressed up because I'm an adult and I felt like putting on my suit." But I love it. Tom Ford and Ralph Lauren are my two heroes of clothing designers.
There have been times in my adolescence where I gave up. I was like, 'I'm just never going to be pretty. I'm never going to be like one of those people on the front of magazines.' It always seemed really strange to me that the projection of how people are in advertisements looked nothing like the people who were actually buying them. You know what I mean? I never understood that mismatch, and now I really start to see that the people you see in the media are a lot more like people actually are.
When I do period work, I really like to read about the period as much as I like to look at pictures because sometimes the written word is much better at conveying what their lives were really like and how much they had and where their clothes came from. Because, a lot of time, people dressed in their Sunday best to pose for a picture.
Working in television it's really great to be able to stick with a character for a long period of time. It's not like you have one shot, and that's it. You have more time, more room, an ability to reflect on your performance and the character and how much has really been shown, and what you'd like to see. It's nice. You have more breathing room.
Yeah, I mean, I did regular stand-up for a long time. And I did - I stopped doing stand-up when I worked on 'Ellen,' which was for five years. So when I went back to it, I found that, like, regular stand-up didn't really do it for me anymore. It almost felt insincere, like I wasn't saying anything I actually really wanted to say.
If ever anyone comes up to me, it's usually like, 'You look really like that guy on that show.' And you're like, 'Really?' And they're like, 'Yeah. Cool. See you later.' And you're like, 'Cool, man.'
That's really good for an actor - to like the people behind the scenes - because then you treat the camera differently. If you really like someone who's shooting you, you're more open. You're not defensive, you're more relaxed, and I think that translates into a more interesting, natural performance.
When I'm back in New York - and this is a terrible thing to complain about - I eat a lot more really, really good food than perhaps I'd like to. So many of my friends are really good chefs. It's kind of like being in the Mafia.
I like Princess Kate. I think her style is really great. She's really, really classy and always really sophisticated.
I think that is a really good message, especially for young girls to hear. The fact that someone like me from the western suburbs of Sydney could become an actress in movies who didn't look like a regular actress, and that I can make it I think gives a lot of hope to other girls who are really creative and don't necessarily follow the standard of what some people consider beauty to be.
I believe, and this is something I also learned from Alice Munro, that there's a moment where the personal becomes totally universal. When you see that person in their pathetic moment, that's the moment where the completely unifying sympathy with that person is possible - where you're no longer a person here and they're someone over there, and you can really feel like one, you can really feel like a human being. Or more like, you can really feel like flesh and blood, because I feel like that moment is the same thing with animals.
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