A Quote by Alycia Debnam Carey
I think the toughest thing for me to figure out, as an actor, was how to translate all those layers that are in there and that history that the writers have done such a great job at forming.
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When I got the job with 'Superman,' it felt like somebody threw me into the ocean. I was just trying to figure it out, to figure out how to tread water. Lucky for me, I'm part of a great team.
I think running a business, doing what I've done for the last - since 1996, has taught me so many things because I started from just an idea and then had to figure out how to make it, market it, every single thing from soup to nuts on how to get a product done and out there.
I am an American man, and in America, we still think of figure skaters as little girls in pretty, sparkly dresses - I worked very hard to change the perception and image of figure skating, and I think I've done a great job on my end, but in figure skating, taste needs to evolve.
I don't want to take shots at professional actors, because obviously the great ones are great. But I do think that given the kind of stories I've been telling in my films, it's hard for me to imagine how professional actors would have done better. And it's easy for me to imagine how they would have done worse. Because I think a lot of what an actor is trained to do and a lot of what an actor's instincts point toward is clarification, is always making it clear what's happening in the story, how the character fits into the scene, what the character wants.
I think the most important thing we as writers can do is figure out how we define what success will mean to us and focus on that.
Everything in Louisiana is about layers. There are layers of race, layers of class, layers of survival, layers of death, and layers of rebirth. To live with these layers is to be a true Louisianian. This state has a depth that is simultaneously beyond words and yet as natural as breathing. How can a place be both other-worldly and completely pedestrian is beyond me; however, Louisiana manages to do it. Louisiana is spooky that way.
One of the things that's funniest about the entertainment industry and comedy is that people go 'Oh, you're great, but I don't know what to do with you.' The great thing about the Internet is that nobody has to figure out what to do with you. You can figure out what to do with you, and you can say, 'I made this thing, and I'm going to put it out, and now if people want to come see me and buy things from me they can.'
I think the most important thing for an actor is reading the script and trying to figure out if you can play that character well. The last thing on my mind is if the director made good movies previously. It's not my job to know if that director's last movie was any good - it's my job to know if I can play the role.
For me, I think the toughest player I came up against was Messi; he's out of this world, he's a genius. For me he's the best in the world, a great player and I think he's the toughest opponent I've played against.
It's weird with stand-up comedy. It doesn't really translate worldwide. I want to figure out how do I make it worldwide. Do a special in Africa. Can't beat that. Pull that off, then I will have done something.
If you look at the body of any writers' work, you can figure out the questions that animate them. I think that is what real writers do. They don't tell people how to live or what to think. They write in order to try to answer their own deepest questions.
If you are working, almost like with layers of the Grand Canyon, there's history within those layers.
I am rather partial to Shakespeare, though I haven't done loads. But when it's done right, there's nothing like it. There are layers upon layers upon layers, and you unpack new things constantly. I don't know how he knew so many things - about the world, about women, about human nature, life, death, our fears and hopes.
The No. 1 thing I hear from people when I meet them in the airport is, 'Oh my gosh, you're just like you are on TV.' Well, I'm not an actor. I don't think anyone could figure out how to be this weird.
I think great writers should write great shows, and I have trouble with, like, what you are in life shouldn't automatically make you what you do in your art. It doesn't necessarily translate.
We don't think about how the songs are going to translate so much during the writing process. Once the song is recorded, and once we're mixing, that's when it occurs to me. Then you start rehearsing to play shows. I never concern myself about how we're going to pull it off live, because I know we'll figure out a way to do it.
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