A Quote by Alycia Debnam-Carey

At one point, I was thinking about going to the Sydney Conservatorium of Music, but then I realized it's actually not what I wanted to do. — © Alycia Debnam-Carey
At one point, I was thinking about going to the Sydney Conservatorium of Music, but then I realized it's actually not what I wanted to do.
I studied classical percussion for ten years. At one point I was thinking about going to the Sydney Conservatorium of Music, but then I realized it's actually not what I wanted to do.
As the acting class was going on, I just realized I just knew more about cinema than the other people in the class. I cared about cinema and they cared about themselves. But two, was actually at a certain point I just realized that I love movies too much to simply appear in them. I wanted the movies to be my movies.
I actually went to study journalism at Northwestern, thinking that would be my Plan B for a career. But then I realized, if I'm going to struggle and make no money, I might as well do what I really want to do.
I was thinking maybe about being a lawyer. I realized I was interested in becoming a priest at one point. I was just interested in stuff where I could do something I really believed in. And then, I realized if I become an actor, I don't have to choose. I get to do everything. It's worked out so far. But what I really want to do is direct.
I think if I wanted to get to a point where I could actually grow in my music, I had to almost step away from sampling so much and start making the kind of music that people wanted to sample.
My mom always wanted me to be an actor. And I started going to theater and going on auditions young. I only realized about five years ago that I actually didn’t want to be an actor.
I finally realized that not only was I passionate about music, but I had a unique way of thinking of music.
I couldn't wait to get out of school, but once I did, I didn't actually know what I wanted to do with myself. I don't really know how it happened, but I just started writing music and realized that's what I wanted to do.
I just went into the studio and did it all in one take. All I was thinking about was the next record; I had already sourced the tracks I wanted to use. I'd been thinking a lot about it and I wanted to represent myself, Leeds and fabric. I'm not very nationalistic, but I wanted to represent what was coming out of Britain as well as at the moment there's a lot of really good new music.
Actually, Sydney is my second favourite city on earth, I love Sydney, but this is the greatest.
My earliest memories about music are connected with going to church and listening to organ music. I am not from a musical family, actually, and I remember my first musical fascination to be for organ music. I wanted to become an organist and not a pianist.
I had at some point the epiphany that if I wanted to be a writer, maybe I should stop thinking about writing, or stop writing about writing, and actually write.
I moved to London to go to dance school when I was about 17, but then I realized that I didn't want to be a dancer anymore, so I dropped out after five or six weeks. All I wanted to do was sing and make music.
I just realized, sometime early on in college, that I wanted to be a philosopher. I basically decided that I wanted to spend my life thinking as deeply and carefully and reflectively as I could about the nature of reality and our human engagement with it, and that taking a philosophical approach was the best way to go about doing this.
Once I realized that right thinking is vital to victorious living, I got more serious about thinking about what I was thinking about, and choosing my thoughts carefully.
When I turned 21, I really wanted to go to uni, and then I thought about it and realized all I wanted was the experience. All the stuff you do in uni, I did in London, which is hang out and party with friends - but instead of getting up and going to lessons, I got up and went to work.
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