A Quote by Alyson Hannigan

I don't like hospitals, and the idea of being in labor somewhere I don't like at all - wasn't how I wanted to bring my kids into the world. — © Alyson Hannigan
I don't like hospitals, and the idea of being in labor somewhere I don't like at all - wasn't how I wanted to bring my kids into the world.
I like the idea about somewhere there being a world... somewhere there's a world that I don't know about. But also, that somewhere, there was once something that disappeared.
I like the idea of teaching kids how to lose. That's a really important lesson in life. I don't like the idea of doing leadline where everyone gets a blue ribbon. I think it's unrealistic for kids and teaches the wrong lesson.
I wanted to show that women could run, but I also wanted to kind of inspire the idea that ordinary people can run. I was like, boy, I feel so good when I run, if everybody could feel like this, this sense of joy and physical well-being and strength and autonomy you have when you run, how much better the world would be, you know?
When Baby Boomer women started choosing hotel-like birthing centers over hospital delivery rooms, hospitals quickly wised up. Now even rural hospitals offer well-designed labor-delivery-recovery suites.
I'd rather be somewhere building a house, if I knew how. The whole idea of being a professional artist is like a demeaning kind of thing.
I always knew I wanted kids, but when my mom passed away I was like, 'I want a bunch of kids. I want three kids or four kids, and I want to have that relationship again.' I can't bring my mom back, but I can have children.
Hippy people had a hopeful idea of what they wanted the world to be like, then most of them changed into corporate Yuppies. But I still have that hippy thing underneath somewhere.
I like connecting to places by foot, and I'm interested in experiencing how somewhere like Crieff connects to somewhere like London.
I wanted to go to the underdog team - I wanted to build something somewhere like a lot of the other guys who stayed home at Maryland, like Vernon Davis and players like that. I wanted to stay home and do it in front of my family and my friends... Those thing matter to me.
I get, like, 50 emails a day from kids being like, 'I want to go on this trip around the world. How do I get a sponsor?'
I love being the person my kids depend on to learn. Everything they learn, for the most part, comes from you - how they treat people, how they look at the world, how they process things. I love being that example for them, just like my parents were for me.
I've wanted to make a film about French youth since I went to Cannes with my first film 'Kids' in 1995 ... Scribe's screenplay is about French kids today, and the world today. Just like my films 'Kids' and 'Ken Park', this will be a movie like you have never seen before.
When I came to Los Angeles, it was the first time that I ever felt like I belong somewhere. Not because it was wacky, but because people here understood what I felt like to perform, and there were other kids my age who wanted to do it. I didn't get looked at as God, you freak.
A lot of peopletell me I'm a bit dreamy, but I like the idea of that. Of being somewhere else.
My biggest goal in life will be achieved when I have a family, when I have my own kids that I can raise myself and bring up based on what I know. I always think it's the wildest idea - raising a whole, entire human is insane to me, and I've always wanted kids.
We talk about Hollywood being pro-labor, yet about 70% of our industry has been farmed out to Canada, meaning we are losing jobs like crazy. Where's organized labor asking how we can allow such a thing to happen?
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