A Quote by Alyson Hannigan

I don't mind being the funny character rather than the glamorous one, although I'm happy to do both. — © Alyson Hannigan
I don't mind being the funny character rather than the glamorous one, although I'm happy to do both.
I'm not playing a character. What I'm doing though is taking the worst, most shameful, peculiar, or troubling aspects of my personality. So there are elements of me that are not there. The happy version of me is not really in the show, because there's nothing funny about being happy. So it's more like I'm poaching on the funniest parts of me rather than actually creating some other character.
Though I am associated in the public mind with glamorous songs and dances, my appearance in 'Company' is in no way glamorous. Rather than rely on my body language, the number zooms in on my facial expressions.
It's glamorous when a movie is released, but then you feel disconnected from it. Someone asked if it wouldn't be more glamorous for me being on Broadway rather than Off Broadway, but I thought, 'What's the difference?' The Orpheum is a smaller house, that's all. And there are no mikes, so you just talk louder.
If you're writing a scene for a character with whom you disagree in every way, you still need to show how that character is absolutely justified in his or her own mind, or the scene will come across as being about the author's views rather than about the character's.
I think anyone who's perfectly happy isn't particularly funny. And when you're very, very happy, you're not very funny. You're just happy. I'd rather be damaged and funny.
Just be funny. Funny always goes over well, so try to think of something funny to break the ice rather than being weird or using pickup lines.
To me, being funny is more important than making a point, but I don't know. Most politicians are so interested in making points that they don't ... I'd rather be funny myself, and I'd rather listen to somebody with a little sense of humor.
But I'd rather help than watch. I'd rather have a heart than a mind. I'd rather expose too much than too little. I'd rather say hello to strangers than be afraid of them. I would rather know all this about myself than have more money than I need. I'd rather have something to love than a way to impress you.
There is a perverse mood of the mind which is rather soothed than irritated by misconstruction; and in quarters where we can never be rightly known, we take pleasure, I think, in being consummately ignored. What honest man on being casually taken for a housebreaker does not feel rather tickled than vexed at the mistake?
I think that the audience wants to see women being put into real situations where they can relate to them, rather than seeing some glamorous woman in a 'Bond' film.
I don't choose characters according to looks. I'm comfortable doing both glamorous and non-glamorous roles.
Any character that you come up with or create is a piece of you. You're putting yourself into that character, but there's the guise of the character. So there's a certain amount of safety in the character, where you feel more safe being the character than you do being just you
I'm all alone. There has been no man in my life for several months now and although it would be nice to have a boyfriend, I can't just settle for anybody. The fact is I'm choosy, but mainly about a man's character. He has to be interesting, funny and clever. I don't even mind if he's not very good-looking.
Anguish of mind has driven thousands to suicide; anguish of body, none. This proves that the health of the mind is of far more consequence to our happiness than the health of the body, although both are deserving of much more attention than either of them receive.
Indolence is the dry rot of even a good mind and a good character; the practical uselessness of both. It is the waste of what might be a happy and useful life.
'What is celebration?' Rather than dancing, rather than laughing, rather than loving, rather than enjoying this silence, the mind asks: 'What is celebration?'
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