A Quote by Alyson Hannigan

My mom was a photographer and whenever they needed a baby for a modelling job, she'd stick me in front of the camera. That's how it started. — © Alyson Hannigan
My mom was a photographer and whenever they needed a baby for a modelling job, she'd stick me in front of the camera. That's how it started.
Modelling was never a career option for me; it was always a hobby. I was modelling while I was pursuing my B.Tech, so the obvious choice after finishing my studies was to do a job. But while I was modelling and doing TV commercials, I really loved being in front of the camera. I enjoyed the shooting process.
When I was little, my mom was an actress, and she still is now, and she'd go on commercial auditions, and if they needed a mom and a son, she'd take me along, and that's how I got started.
I came out at a very early age. I sat my mom down at my 12th birthday party and told her in front of my friends. She said, 'Baby, mama already knows, and I'm going to love you regardless.' Once I got my mom's support, there was nothing else I needed.
This is how you can tell a real photographer: mostly, a real photographer does not say 'I wish I had my camera on me right now'. Instead a real photographer pulls out her camera and takes the photograph.
I started modelling while still studying. I liked doing television commercials and being in front of the camera. Lots of ad directors told me to try for films.
I was always in front of the camera. My mom was really passionate about photography - I have pictures of my whole life. I've always just been in front of my mom's camera and it's always comfortable to me.
I was always in front of the camera. My mom was really passionate about photography - I have pictures of my whole life. I've always just been in front of my mom's camera, and it's always comfortable to me.
Being on set in front of the camera, it makes me happy and extremely grateful whenever I'm in front of the camera.
When the photographer is nearby, I like to say, 'Quick, get a photo of me looking into the camera,' because I'm never looking into the camera. Christopher Nolan looks into the camera, but I think most directors don't, so whenever you see a picture of a director looking at the camera, it's fake.
If the photographer is interested in the people in front of his lens, and if he is compassionate, it's already a lot. The instrument is not the camera but the photographer.
My mother stopped working when she had my brother. She was a full time mom until I started getting heavily into ice skating lessons, and it got to the point where they really needed my mom to earn an income.
My mom's an artist in every way. She's a painter, a photographer. She's a wanderer - always searching, always seeing. I guess you could say my mom gave me her eyes.
I was to be a photographer and that was that. It did everything for me. I love people. I needed the camera more than ever I would have believed.
When the cinematography school told me I would have no chance to get a job, I said, "It's irrelevant." My mom was a feminist in the '20s. She taught me to be on my own, to be independent, to do what I wanted to do. I did not believe it would be difficult. It was difficult. In '66, I almost starved for a year and a half, and the only way I did not starve was because I could not find a job in camera, but I found a job in editing.
Being in front of the camera - first of all, when I wanted to get into television, it was as a producer. I never had an idea that I would do anything in front of the camera, and that kind of happened by accident. But I wanted to be a producer or give me a job with the Yankees or play for the Knicks. I was a sports nut when I was a kid.
My mom and dad were extremely supportive. But my mom, she definitely made a lot of sacrifices, specifically because she wasn't working at the time. She ended up going and finding a job so she could continue to put me through gymnastics.
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