A Quote by Alyson Noel
So cute how you called out for Damen after conjuring that chaste little love scene in your head.
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When you shoot a scene, you remember every moment. You remember when your head went down, your head went up. You don't see little quirks, little eye movements, little lip movements. Once again, you become completely vain when you're watching it in a way that you weren't when you were shooting it. And the vanity, what it makes you focus on are everything that has nothing to do with the scene and everything to do with your own ego.
That's you, right?' he asks me. 'Yeah.' 'Cute. Not that I, uh, think little kids are cute. Just that you were cute. I mean, you can see how you turned out to be so...oh.
It’s funny—when people call you “shy,” they usually smile. Like it’s cute, some funny little habit you’ll grow out of when you’re older, like the gaps in your grin when your baby teeth fall out. If they knew how it felt—really being shy, not just unsure at first—they wouldn’t smile. Not if they knew how the feeling knots up your stomach or makes your palms sweat or robs you of the ability to say anything that makes sense. It’s not cute at all.
After two solid weeks of waking up in Damen's bed, wrapped in Damen's arms, you'd think I'd have grown used to it by now. But nope. Not even close. Though I could get used to it. I'd like to get used to it.
I love directing more than anything in the world, and I love being in the editing room. I love cutting. When I'm shooting, I cut it in my head anyway. That's not to say that it always turns out that way, but you have a sense when you're composing a sequence or a scene how you want it to look anyway.
The first scene I ever appeared in, it was the first scene I ever shot [during my] first day on set. I walk up to my mom with a plastic bag over my head and she says that her clothes better not be on the floor, not that a plastic bag is not a safety hazard or anything. I think it's a really cute scene and also just a very vivid memory.
I made myself a rule: write out of love. And when you love somebody, you have to tell the truth about who they are - not the cute "truth" in your head of who they are, the one where you did everything right and they did everything wrong.
What's with the cute shoelace on your head?" "What this?" He flicked the end of the cord with his finger. "Yeah. Rambo called, he wants his bandana back.
I'll usually see a scene in my head, playing like a movie trailer. After I've written that scene, everything takes off from there.
Now, now." He smiles, "Don't you worry 'bout a thing. Damen's right where you left him. Though I must say I can't believe that you left him. I underestimated you. I had no idea. Though I can't help but wonder how Damen would feel if he knew. I bet he underestimated you too.
I am not clear that God manoeuvres physical things? After all, a conjuring trick with bones only proves that it is as clever as a conjuring trick with bones
Some of my most enjoyable moments as a writer have come while conjuring a meet cute.
Only the chaste man and the chaste woman are capable of true love.
[While voicing] you have to create a feeling for what happened before a scene, what's going to happen after a scene, and what you are doing in a scene. You need to use your imagination even more and once your emotions are up, then your voice and expressions will go accordingly.
There is a deep camaraderie of insecurity between us actors. You rehash choices you've made among those who are close to you and inevitably bang your head against the wall when you finally figure out the scene... a day after you shot it!
I cooked a little bit in my first movie; I did a movie called 'Made.' For the little kid in the movie, I do a scene where I'm preparing a pasta puttanesca. I always loved watching that scene.
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