A Quote by Alyson Stoner

I started dancing when I was 3 in Toledo, Ohio, and started hip-hop dancing at the age of 7. — © Alyson Stoner
I started dancing when I was 3 in Toledo, Ohio, and started hip-hop dancing at the age of 7.
I started dancing at the age of three in my hometown of Toledo, Ohio, and it really was my sister's dream to pursue dance professionally.
My brother became so enamored with that film [West Side Story], that he started taking tap-dancing lessons, and I followed him and started tap dancing, and my mother and father started tap dancing - I was in a class with my family, tap dancing!
Well hip hop is basically the whole culture of the movement. There's the rap which is a form of hip hop culture. It could be breakdancing, freestyle dancing or whatever type of dancing that's happening now in the Black, Hispanic and White community.
Everyone uses grime as a footstool, but imagine Biggie Smalls started doing hip hop, and it started going well, and then he started making RnB: there would be no hip hop!
I was shy at dancing. I practice at home. I was practicing in the mirror. Dancing everywhere. Then I just started feeling good. I started feeling coordinated. I started feeling the music better.
When I first started out, I was really attracted to having my own sense of style because I started swing dancing, lindy hop, and jitterbug.
I've been dancing my entire life. Jazz, hip hop, ballet. And then there's tap dancing. I love to tap.
I've been dancing since I was two, learning so many different styles. I like dancing to rap and hip-hop, but also the Strokes, the Hives, and the Vines with carefree randomness. There's always a way to move to something.
My career as an actor started when I was six years old, taking dancing lessons. Then I started getting paid jobs to dance at the age of seven.
I started salsa dancing with a few different companies and started touring the country. It was fantastic, but I realized that I really wanted to talk every time we were performing. That's a problem because when you're dancing, if you stop to talk, that's not really cool to the other dancers.
Don Cornelius did not want to see how I really danced - I was doing hip-hop, and it was foreign to people out in California. They only knew about popping and locking, so they were not keen on hip-hop dancing.
I started dancing when I was about four, and my mother put me into dancing school, and I did every type of dance there is.
I started dancing when I was three, Scottish dancing.
Hip-hop started with street poets with great lyrical skills, and that's what hip-hop has always been about for me.
Hip-hop was started as a very egocentric, testosterone, machismo-driven art form. The way that people are trying to take away that masculinity that is a such an intrinsical part of hip-hop music.
I always say to people that I left hip-hop in '97, meaning that I departed from listening to predominately hip-hop and just started really getting into records from the late '60s, early '70s. And once I made that change, I realized how much great music was made back in the day, and it started to become apparent how much we've lost in music.
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