A Quote by Alyson Stoner

I think what's important, as an artist who wants to be multi-dimensional, is learning how to shape-shift into those different paths fluidly and frequently. — © Alyson Stoner
I think what's important, as an artist who wants to be multi-dimensional, is learning how to shape-shift into those different paths fluidly and frequently.
I don't think it's always a sign of respect for persons (inside or outside of fiction) to pretend to be able to represent, to have access to, their multi-dimensionality at every moment. That doesn't imply people aren't multi-dimensional.
I think it's really important that we see women represented properly in TV, and that's a multi-dimensional person: a real human being who's flawed, who's weird, who's awesome.
People are multi-dimensional and crave a multi-sensory experience.
It is one of those simple but beautiful paradoxes of life: When a person feels that he is truly accepted by another, as he is, then he is freed to move from there and to begin to think about how he wants to change, how we wants to grow, how he can become different, how he might become more of what he is capable of being.
My experience of being on the public platform got more multi-faceted, multi-dimensional, and my place in the public eye, I think, has always been a little more than just what is going on in that time in my life.
Big Shaq stems from my YouTube series 'Somewhere in London.' I just wanted to create something that was multi-character and multi-dimensional.
JR was a 1-dimensional, evil character. JR was multi-dimensional, and Larry Hagman is probably one of the greatest actors that we have. Then, you go back and look at 'I Dream of Jeannie' - I mean, he's a comic genius, as well. So, I think they should give him an honorary Emmy Award.
I try not to limit myself. The actors that inspire me are the comedians and the people able to shape-shift into different roles and into different media. That ensures your longevity as an artist and prevents you from getting bored with yourself and, hopefully, prevents people from getting bored with you.
I think people are intelligent, empathetic, multi-dimensional.
I think when you do comedy, you play by a different set of rules. No one really wants you to be in that good shape. Being in good shape implies a level of vanity that isn't necessarily funny.
I've had my body manipulated so many different times for so many different reasons, whether it's paparazzi photographers or for film posters. The topless Interview shoot was one of the ones where I said: 'OK, I'm fine doing the topless shot so long as you don't make them any bigger or retouch.' Because it does feel important to say it really doesn't matter what shape you are. I think women's bodies are a battleground, and photography is partly to blame. Our society is so photographic now, it becomes more difficult to see all of those different varieties of shape.
Stories open up new paths, sometimes send us back to old ones, and close off still others. Telling and listening to stories we too imaginatively walk down those paths - paths of longing, paths of hope, paths of desperation.
Different directors have different techniques in the use of films. Cronenberg is very different in the way he works with film, and how he takes the audience into his films is different than how Peter Jackson would do that or Jon Stewart. So, if you go between those artists, you shift gears and you kind of fall into the working method of that film.
We are not a green standard, we are a quality standard. We're different, we're multi dimensional.
The actors that inspire me are the comedians and the people able to shape-shift into different roles and into different media.
I find when I meet people in person it's different because everyone wants a bit of advice on how to lose a bit of weight. Everybody wants to be in shape and likes to talk to someone who has been there and done it, so I find it is always positive.
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