A Quote by Alyssa Edwards
My kids stand out at competitions. They're products of me. And you can't come to Beyond Belief and have a flamboyant teacher like me and be basic.
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I like to remind teachers that even though they're all overwhelmed and overloaded, and it's easy to get burned out, it really is about the kids. It only takes one good teacher to change a life - one time, and one book. That's what happened when I was a kid. I had one good teacher that came in at the right time and turned me into a writer. So never lose sight - you could be that teacher.
My dad always told me to stand up to bullies, and Bill O'Reilly is kind of a bully, and he's the kind of kid who hits other kids on the playground. And when you hit him, he runs to the teacher and says, 'Teacher, sue him.'
I've always written. When I was in school, the only teacher who ever liked me was my creative writing teacher. I used to enter poetry competitions, and I don't think I ever lost one. So I had the idea for a while of being some kind of poet.
Seeing my children makes me come most alive. I come home and I see my kids' faces light up when they see me at the door with my guitar case. They run to me, we hug. I never go beyond a few weeks without being in their presence, so they have adjusted quite well.
I love working with kids, talking with them and listening to them. I always encourage kids to reach beyond their dreams. Don't try to be like me. Be better than me.
'Deadpool' is its own thing, and it's very quirky, breaks out the box, and doesn't follow the rules of normal superhero movies, so it was really important for me to show that kids that look like me, who are chubbier than other kids, that they can be the hero they want - it was a dream of mine to be a superhero, and it's come true.
When I was two I was always like "I wanna be a famous singer when I grow up." When you listen to most kids they went in and did all these competitions. I was never like that, my mom never pushed me like that. I pretty much just sang when I wanted to.
My music teacher who I was really close with, she helped me out a lot being away from home and going to school in Rhode Island. She was like a mother to me on campus. But she was the theater teacher and she didn't have anyone to play Aladdin, so she asked me if I would.
How do you get out of a belief system? First you have to destruct the belief system. Traditionally, the teacher is supposed to remove your ignorance. But when you remove ignorance, you start with removing what is causing the ignorance, which is your belief system. So the teacher's job indeed is to first deconstruct your belief system. And then to give you inspiration so you'll go out to create a path to discover what is spirit, what is beauty, what is love, because these things nobody can teach you. So teaching really should be a demolition job.
I love it [music]. I always have loved it. There's something about playing music that inspires me. When I've had some really down periods in my life, debauched beyond belief, not knowing what the hell I'm gonna do with my life, [Rolling Stones'] "Street Fighting Man" or something like that would come on the radio, and I'm pounding the dash and the rock and roll will inspire me to keep going. It inspires me. It's true.
In middle school, I had this one teacher who would kick me out all the time. He just didn't like me. I could ask a person next to me to borrow a pencil, and he'd kick me out of class. Besides that, I've never been in trouble.
I grew up in a tough neighborhood where a lot of kids were older than me. The older kids decided to pick me on me starting when I was about 6 and it didn't take me long to take a stand for myself.
I'm definitely responsible for coming in with some basic chord changes, or ideas. Everybody in the band looks to me to come up with the basic seed, so it's not very productive to come in with nothing.
When I read 'Stand By Me,' it was like, 'This is a look back at the same time period when I was growing up, and it was about kids, but it really felt like what it was like to have those powerful feelings of friendship at age 12.' That's what got to me.
The belief that consciousness extends beyond death is surely to put more belief in the permanence of self, not less. That seems to me a comfort that you're allowing yourself.
I had the best teacher in the business. Kevin Costner was my teacher. I was acting opposite him and he was directing me. The way he directed me, for which I am eternally grateful, is he would watch the scene back on the monitor, which is sort of considered unfashionable - you're not meant to watch yourself. But he was like, "Come around. Watch this. See there, you're doing a great reaction, but you're doing it out of frame." That was exactly what I needed. I learned how to act on film from him.
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