A Quote by Amal Clooney
If you're a woman lying on the beach in the Maldives, you might want to know that a kilometer away, another woman is being flogged. And you might want to find your own way to protest that.
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You want a woman who shares your belief and your faith because that is usually your core. So, you want a woman whom you know can stand on that same foundation you both equally embrace and share. You also want a woman who is ambitious but also knows how to balance it with family.
Turn around, and the people you thought you knew might change. Your little boy might now live half a world away. Your beautiful daughter might be sneaking out at night. Your ex-husband might by dying by degrees. This is the reason that dancers learn, early on, how to spot while doing pirouettes: we all want to be able to find the place where we started.
Every woman who has left and gone into private practice has done fabulously. So the question is why aren't more women drawn to this field? It's helpful to enjoy the art of advocacy - verbal combat or verbal jousting. I find it telling that so many woman might be horrified, and you know, wouldn't want to do it.
If you focus on what you want and you persevere, chances are you succeed. You know, that's what I found. It might not be in acting - it might be in business, financing, it might be in the arts, it might be in anything. But it's all about focusing and being inspired.
If a person's self-worth derives from being the only woman in the field, how much affection can she feel toward another woman who might challenge that claim to fame?
I'm gonna play this game the way I want to. It might be serious, it might be a comedy, it might be a dramedy, it might be variety, it might be a talk show, whatever. There's no box.
You might not feel like playing pretty all the time. Instead, you might want to play something nasty....you might want to play something out of context with the tune. It might be a note that creates so much tension it becomes unpleasant, but you want it to sound that way.
I'm sure that inside your heart... you're trying with all your might to find it on your own... the reason you were born. Because... because really... there might not be anyone who was born with a reason. I think that everyone... everyone might have to find one on their own. [in her head] A reason for being born... A reason that it's okay to be alive... A reason to exist. [aloud] I think everyone might have to find it themselves... and decide it for themselves. It could be your dreams... your job... or a person... The reason you're looking for... might be vague, unclear... and uncertain. [in her head] And you might lose it. [aloud] But as long as you're alive... you have to keep searching for that reason.
I think it's important for tourists to know the facts of what's happening in the Maldives. I don't think people realize that there's a flogging taking place a kilometer away when they're sunbathing in their resort.
I don't think there's anything to be ashamed of about being a woman who loves fashion. Fashion is a vehicle for self-expression, it tells the world who you are and how you want to be seen. If you use it as a canvas for creativity, then you might want to talk about it, you know? And I fully embrace that.
I guess maybe my art can be said to be a protest. I see things a certain way, and as an artist I’m privileged in that arena to protest or say publicly what I’m thinking about. Maybe the strongest work I’ve done is because it was done with indignation. Considering myself as a feminist, I don’t want my work to be a reaction to what male art might be or what art with a capital A would be. I just want it to be art. In a convoluted way, I am protesting- protesting the usual way art is looked at, being shoved into a period or category.
As a woman, I have access to hit women in a way that men might not be able to hit them with jokes. I don't mean physically hit. But you know, because I'm a woman, I can say things about women because I know what it's like to be a woman, if that makes any sense.
You get typecast. You have to find a niche in this business. So, the roles that I got cast in were the Latina or the Italian spitfires. The woman with a passion and the woman who didn't want to listen to anyone, did everything her own way, very self-willed.
If a woman isn't feeling sexual with herself, she won't respond to advances from any partner, male or female. When this woman goes dancing, she's finding a connection with her own erotic self. It might be about being on a dance floor, feeling free, not having to feel at all responsible for anybody else's well-being. For other people, it might be about going on a hike for four days by herself and reconnecting with nature and strength and endurance and beauty.
If someone's lying to us, then it's rare that we know that they're lying to us. It's only in bad films that you recognize immediately that an actor's playing in such a way that you can see that he's lying, and that's simply dumb. But to reach that, it requires that you make a film in such a way that a spectator feels compelled to find his own explanation. You want to lead the spectator to find his own interpretation. To ask questions rather than provide all of the answers. Doing that leads to open endings and open dramaturgy.
I want my daughters to see me and know me as a woman who works. I want that example set for them... I am a better mother for it. The woman I am because I get to run Shondaland, because I get write all day, because I get to spend my days making things up, that woman is a better person - and a better mother. Because that woman is happy. That woman is fulfilled. That woman is whole. I wouldn't want them to know the me who didn't get to do this all day long. I wouldn't want them to know the me who wasn't doing.
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