A Quote by Amala Akkineni

Nobody realises that speaking Malayalam is a big challenge for me. — © Amala Akkineni
Nobody realises that speaking Malayalam is a big challenge for me.
The biggest challenge Malayalam cinema faces is territorial. We operate within a small territory in Kerala, and the Malayalam diaspora across the world in comparative terms is quite small. But we have world-class talent in terms of technicians, actors, and writers.
My thought process is in Malayalam. So, every time I have to work outside Malayalam, the process is a little stressful. I have to translate my Malayalam thoughts into English and back to Tamil.
In Malayalam, I can improvise, and acting is easy because I think in Malayalam, but for 'Velaikkaran,' I had to prepare for a role, which is a first for me.
My place is cemented in Malayalam films. Malayalam is not my language and it felt alien to me. But for them, I am someone from Karnataka who could deliver.
Always it's like big challenge for me. Every point is a big challenge. So I do everything I can.
I struggled a bit with Malayalam, but it was easier speaking Tamil; it is closer to Telugu.
When Nigeria actually gave me the call-up I thought 'oh, it's going to be a challenge, I don't go back there a lot, I don't really speak the language.' I wasn't speaking the language as fluently as I am now, so it was always going to be a challenge, but it was a challenge I decided to take and change nationalities.
My most memorable food challenge was probably the Big Texan in Amarillo. All the big executives called me because it was such an iconic challenge, and a victory in that would be a legitimizing device for myself as much as for the show.
Though I read and speak Malayalam, Malayalis won't accept outsiders speaking their language.
Since I grew up in Palakkad, I am comfortable speaking both Tamil and Malayalam.
Yeah, I kind of looked around and I can't understand why nobody else is speaking up. Later when I faced the backlash of speaking up, I realized why nobody did.
Nobody can write stories like Malayalam writers.
When I emerged as a hero, there were times I had continuous hits in Malayalam. I also tasted success as a supporting actor in other languages. But there was a collective effort from a group in the Malayalam film industry to flush me out, which affected my career.
Coming from the Malayalam sets, when I went to Telugu, people told me that I wasn't acting and that it felt dead. It was very subtle in Malayalam, while it is slightly dramatic in Telugu. It is quite fascinating to understand what each industry expects of you and work according to that.
It's part of my challenge as an actor, not only speaking English but speaking Spanish with a Mexican accent.
I'm a guy desperately in need of buffers. I have big feelings, big reactions, big emotions. All the things that serve me as an artist, but challenge me as a socially-responsible human being.
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