A Quote by Amala Akkineni

Filmmaking these days is so technically advanced. When I started off, we had to wait for two to three months to see the rushes. But now you can see every scene on the monitor and you can see your work immediately.
I always say it takes three weeks to know a character and three months to own it. And I think that's probably true of every theater artist. If you really want to see a performance of the show, wait three months.
In real life, T. J. Miller is one of my best friends, and I'll maybe see him for two or three days in a row, and then I won't see him for four months. That's just how our lives are.
When I'm tired, I see industrial pictures. But I'll see one every two months. If I see one every day, I'll become an idiot.
Try to say nothing negative about anybody for three days, for forty-five days, for three months. See what happens to your life.
You really don't have a life when you're working. I always think "oh, I'm gonna see everybody on my days off. I'm gonna read so many books and see so many films" and then three months go by.
I had just 15 days to work on my body for the climactic fight of 'Bodyguard.' And I would work on every muscle of my body two/three times a week. I would have developed a superb body if I had three months, but squeezing it into 15 days can be harmful. Also, as you grow older, your metabolic rate slows down.
They use those monitors now, and sometimes you'll be doing a shot and then suddenly you see yourself on one of those monitors, and I always say turn the monitor round, I don't want to see myself on the monitor. I never see myself 'til the movie's finished.
If I see a problem (in the clubhouse), I say something right away. I don't wait two or three days.
All that means is that something devastating can happen to you today or to your family & all you can do is cry about it or panic or just be grief-stricken about it; but a year or two from now or maybe ten years from now, or maybe two months or two days, you might be able to see the humor in that problem.
I see myself as most people see themselves, you have good days and bad days. I don't think I'm better looking now than I did three years ago.
You know, when we were kids, we had to go to a theater to see a movie. And then television came in and you had to wait until midnight to see the one you wanted to see. Now, all you've got to do is go to a store and buy it and you can watch it whenever you want!
It took me 13 months just to prepare for 'M.S. Dhoni'... I started by watching every single video I could find of his, repeatedly. After three months, people who met me started saying that they could see similarities, and I knew I was on the right path.
I started coming to L.A. as often as I could, for three months on and three months off, because immigration kicks you out after 90 days.
The ideal time for writing a [television] script is four days, though sometimes it has to be two or three days depending on the deadline. If it's two days, sometimes there are things I see that don't work as well. If I have two weeks, the scripts get kind of flabby and lack the adrenaline that a sense of deadline fills you with.
Being away from loved ones can be very hard. Taxing. With a tour, you don't know whether you'll see each other in three weeks, three months, or three days.
To work for months and months and months, you kind of spill blood and give your heart and soul to something, and then you just sort of let it out into the universe and hope that people like it. How you see it in your head is never how you see it on the screen, so it's almost like an out of body experience.
This site uses cookies to ensure you get the best experience. More info...
Got it!