A Quote by Amanda Blake

It used to take us six days to film an hour of 'Gunsmoke.' But I didn't mind the fast pace of soap opera work. It was nice being able to shoot scenes in sequence. We couldn't do that on 'Gunsmoke.'
In features, we're languid: we shoot one or two scenes over, like, three days. In TV, the pace is so different. You're shooting ten scenes a day, going way into the future or way back into the past. It's complete madness, and I'm just trying to keep up with this really electric pace.
Because we're in a small town and somewhat isolated from the fast lane of high tech, we've been able to grow and concentrate on our work instead of being distracted by the competition and getting caught up in the soap opera of Silicon Valley.
I remember I had a low point when I was working on a soap opera, 'General Hospital,' five years ago. It was my first real job, and it was so overwhelming. You would work five days a week and have to learn sometimes up to 30 pages of new dialogue a night, then have one take to shoot it all, the next day.
I started working in front of the camera for the first time when I was 15 years old. I joined a soap opera. We filmed in Brooklyn, and I would skip class to shoot my scenes.
When you work on a soap opera, that's three years of you working every day. There was no time to do anything other than the soap opera - you're locked in.
I was playing this role on 'Ugly Betty,' the sweetest, nicest guy. He was a fun character to play, but I was in a Latin soap opera - where are you gonna go with a nice guy in a Latin soap opera?
What made us different from other westerns was the fact that 'Gunsmoke' wasn't just action and a lot of shooting; they were character-study shows.
Frankly, I've had it with this show-business stuff. But I love 'Gunsmoke' and I love the guys I work with.
I may find myself changing my notions about what I want to do right in the middle of a film. And on days when I'm feeling merry, I shoot merry scenes, and on gloomy days, I shoot gloomy ones.
Quality is what kept 'Gunsmoke' on the air so long.
I really miss Gunsmoke. It was like losing my whole family.
It's never the practice to shoot the scenes in the proper order. Sometimes you shoot the final scenes of a film before you've even started the beginning. So you get good at it because you have to sort of just eliminate the memories of something you've done as an actor, which you haven't done as the character yet. But it sometimes is a bit of a mind-f**k.
As an actor, I like to get a bit of momentum going with a character and kind of work a bit quicker. I mean, not crazy-fast, but, you know, five or six pages a day is a nice pace.
I started working in front of the camera for the first time when I was 15 years old. I joined a soap opera. We filmed in Brooklyn and I would skip class to shoot my scenes. It was terrifying and I entirely self-conscious in front of the camera.
On a movie, you often work fourteen-, sixteen-hour days, six days a week, for six months. It is so easy to let up because of fatigue.
I did the 'Gunsmoke' pilot for $250. We were all so hungry, we would have done anything.
This site uses cookies to ensure you get the best experience. More info...
Got it!