A Quote by Amanda Donohoe

What I do for a living is re-create human emotion, and that's a pretty weird thing to do from nine till five. — © Amanda Donohoe
What I do for a living is re-create human emotion, and that's a pretty weird thing to do from nine till five.
At any given time, ninety-nine-point-nine-five per cent of the human race are a confounded nuisance
P is positive emotion, E is engagement, R is relationships, M is meaning and A is accomplishment. Those are the five elements of what free people chose to do. Pretty much everything else is in service of one of or more of these goals. That's the human dashboard.
Working from nine till five every day at something that gives you no pleasure just so that, after thirty years, you can retire.
If you stare at a wall from four in the morning till nine at night, and you do that for a week, you are getting pretty close to nothingness.
If you stare at a wall from four in the morning till nine at night and you do that for a week, you are getting pretty close to nothingness.
Move to Italy. I mean it: they know about living in debt; they don't care. I stayed out there for five months while I was making a film called 'Order Of Death,' and they've really got it sussed. Nice cars. Sharp suits. Great food. Stroll into work at 10. Lunch from 12 till three. Leave work at five. That's living!
I try to stay on a pretty normal schedule of nine-to-five.
Yes," I said. "My name is seven-five-nine-nine-three-nine-ex-dash-one. Junior.
The technology involved in making anything invisible is so infinitely complex that nine hundred and ninety-nine billion, nine hundred and ninety-nine million, nine hundred and ninety-nine thousand, nine hundred and ninety-nine times out of a trillion it is much simpler and more effective just to take the thing away and do without it.
When you consider what you would love to accomplish in your life but feel ill-prepared to bring it about, picture the eighty-nine Michelangelo living five centuries ago, painting, sculpting, and writing. Imagine he is telling you that you can create whatever you desire, and the great danger is not in having too much hope, but in reaching what you have perceived as hopeless.
I wanted to make mini features. And there was a wonderful creative freedom; not necessarily copying the lyrics, but just trying to create emotion. Like the songs, you know? Just like how the song creates an emotion, I wanted the video to create an emotion.
People think I work a lot more than I do. I think because you're in people's living rooms every day they're like: 'Oh my God, you're always on the telly,' but it's like, 'Yeah but you always have to go to work every day nine till five whereas I finish at 12:30 P.M. and then I'm home.'
In a weird way, it’s kind of a relief to think, ‘Oh, I know I’m not that young sort of pretty thing anymore.’ It’s quite nice talking about what it was like to be the young pretty thing, rather than being it.
This isn't a competitive sport. Wrestling is not the NFL or the NHL. It's not really sports. It's entertainment. And in order to be entertaining, you have to create emotion. And you can't create emotion by simply having a wrestling match.
The primary function of art is not to imitate or represent or interpret, but to create a living thing; it is the reduction of all life to a perfectly composed and dynamic miniature - a microcosm where there is perfect balance of emotion and intellect, stress and strain resolving itself, form rhythmically poised in three dimensions.
I was lucky enough to just play music as a living and not have a nine-to-five job. I didn't have to pay the bills so I was able to experiment.
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