A Quote by Amanda Gorman
When you are learning through poetry how to speak English, it lends to a great understanding of sound, of pitch, of pronunciation, so I think of my speech impediment not as a weakness or a disability, but as one of my greatest strengths.
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Cultivate a deep understanding of yourself - not only what your strengths and weaknesses are but also how you learn, how you work with others, what your values are, and where you can make the greatest contribution. Because only when you operate from strengths can you achieve true excellence.
I am learning English and even try to talk in English with people. I don't care if people are laughing at me. I always look at the Internet for the correct pronunciation and play word games.
I speak of knowledge, sir, which is not the bed-equal of learning ... I speak of what comes from learning. I speak of understanding.
When I moved to Bombay, it was very harsh. I was nothing like what I am today. I couldn't speak a word of English. In England, people might be very understanding about that, but in Bombay, they're not very forgiving. 'If you don't speak English, how do you expect to work in Hindi films?'
When I was younger, I used to think that my unconventional upbringing was a weakness, but over the past few years, I've learnt to see it as one of my greatest strengths.
I'm part of a speech therapy programme called the McGuire Programme. It teaches you a new way to breathe, a new way to speak, a brand new way of tackling the mind-sets that come with having a speech impediment. Mainly, it teaches you how to slow things down, and that has really helped me.
I think that everyone has something about themselves that they feel is their weakness... their 'disability.' And I'm certain we all have one, because I think of a disability as being anything which undermines our belief and confidence in our own abilities.
The great modern heresy in poetry is to confuse the use we make of words in a poem with modalities of speech...For true poetry is never speech but always a song.
English has always been my musical language. When I started writing songs when I was 13 or 14, I started writing in English because it's the language in between. I speak Finnish, I speak French, so I'll write songs in English because that's the music I listen to. I learned so much poetry and the poetic way of expressing myself is in English.
I didn't realise I had a speech impediment until I came back to England. I spent the whole of my life working abroad, and no-one mentioned it. I came back to England and suddenly realised I had a speech impediment.
My greatest strength is to have a great capacity to confront myself no matter how unpleasant. My greatest weakness is that I don't. I know that's enigmatic, but that's sort of a general formula for anyone, actually.
My speech impediment wasn't a stutter but it was dropping several letters that I just could not say for several years, most specifically the 'r' sound.
I guess through my learning disability, through dyslexia, I've always been a visual learner - I take in everything through my eyes.
I think that speaking is the most important thing we can do, but let's talk about what it means to speak effectively. We can talk in an echo chamber to our friends on social media and otherwise - and that's important, that's how we encourage and educate one another.But speech that leads to action is critical. And it doesn't sound very sexy, but one of the most important ways to speak in a way that makes an impact is to vote. Speaking at the ballot box is the most important place that we speak.
I have been learning English on the road since I started when I was 15, so it is a slow process but making some progress. Now I think I am much more comfortable with my English. However, it is difficult, still, when I speak about something that is not tennis.
I think of myself primarily as a reader, then also a writer, but that's more or less irrelevant. I think I'm a good reader, I'm a good reader in many languages, especially in English, since poetry came to me through the English language, initially through my father's love of Swinburn, of Tennyson, and also of Keats, Shelley and so on - not through my native tongue, not through Spanish. It came to me as a kind of spell. I didn't understand it, but I felt it.
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