A Quote by Amanda Gorman
To hone my voice, I read everything, from books to cereal boxes, three times: once for fun, the second time to learn something new about the writing craft, and the third time was to improve that piece.
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Writing a new film about cereal killers. Not serial killers, cereal killers. The main character can eat two, three boxes at a time.
I write a book at least three times-once to understand it, the second time to improve the prose, and a third to compel it to say what it still must say.
I have a rule now that I can only watch a movie twice. By the third time I was watching 'The Guest,' I was hating everything about it, but the first time, I loved it. The first time you watch it, you watch it as a whole. And the second time, I think you can learn a lot. By the third time, you are just picking everything apart.
I was obsessed with everything and anything; I wanted to learn everything, to read everything, to do everything. I was constantly on sensory overload. I'd hoard dozens of books in my second-grade cubby, and literally try to read two at a time, side by side.
Something I tell my students is to read once; then if you still have problems with it, read it a second time. If you still have problems, get drunk and read it a third time... and you might get something out of it.
The first time you do something, it's science. The second time, it's engineering. The third time, it's just being a technician. I'm a scientist. Once I do something, I want to do something else.
I write a lot from instinct. But as you're writing out of instinct, once you reach a certain level as a songwriter, the craft is always there talking to you in the back of your head...that tells you when it's time to go to the chorus, when it's time to rhyme. Real basic craft... it's second nature.
It's stimulating to teach a new course. To teach a course three times in a row is, I think, about the maximum for me. On the second year - you know, the saying is that first year you learn how to teach the course, the second year you do it right, and the third year you're coasting and you had better move on to something else.
I love my job, and I love books. I read anything, including cereal boxes. I care deeply about what people think of my books, and I memorize my reviews. I love to hear from my readers.
Try a thing you haven't done three times. Once, to get over the fear of doing it. Twice, to learn how to do it. And a third time to figure out whether you like it or not.
I throw everything I have into whatever story I'm writing - and so there's something immensely gratifying about finishing one piece and then starting fresh with a new setting, time period and cast of characters, getting to see the world through a completely different lens each time.
I re-read the books I assign to my students. Each time I do, I learn something new.
Read. Read. Read. Read many genres. Read good writing. Read bad writing and figure out the difference. Learn the craft of writing.
I've always loved words. I ate up all the books I could get my hands on, and when I couldn't get books, I read candy wrappers and labels on cereal and toothpaste boxes.
Writing is a job, a craft, and you learn it by trying to write every day and by facing the page with humility and gall. And you have to love to read books, all kinds of books, good books. You are not looking for anything in particular; you are just letting stuff seep in.
I ran the Iditarod twice. I finished once. I came in 42nd or 43rd place out of 70 plus teams the first time, and I scratched 80 miles from Nome the second time. You can read about my experience in the race in my books 'Woodsong' and 'Winterdance.'
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