A Quote by Amanda Hocking
I think I draw most inspiration from writers like Richelle Mead and filmmakers like John Hughes. They both really understand the experience of being a teenager and how insistent and intense everything feels, but they're also smart, savvy, and fun.
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I will try to hold on to the intense feeling. I will both be glad that that’s no longer happening and kind of miss it. When you’re 14, you’re basically on drugs all the time - the hormones in your body are so crazy. But I really loved and appreciated the intensity of that. And you’re experiencing everything for the first time, so everything feels like an epiphany. And, like, I really liked the experience of having a crush, because I was like, this is my thing and it doesn’t have to do with you and you’re just some dummy boy for me to project on.
I know most people don't like to be around teenagers but I do. I'm one of the only people I can think of who can't wait for my kid to be a teenager. I think being a teenager is one of the most wonderful things in the world. I really enjoyed it - just this heightened emotional state where everything is beautiful and everything is new and you're convinced that you're really going to break the mould and be different from your parents. And the best part is that you have so much more time that you didn't have as a child.
I think there's something to the millennial sentiment of being, like, 'I'm great.' But I think there's also something really amazing and powerful about being, like, 'Oh, hey, I'm awesome.' It's a fine line. But I think it's possible to be both, to not be the most annoying person in the world, to still be very intriguing and fun to watch.
Richelle Mead delivers sexy action and tongue-in-cheek hellish humor-if damnation is this fun, sign me up!
First off, I love Woody Allen. His early movies, like 'Hannah and Her Sisters,' are incredible. I also love anything by Billy Wilder, Ron Howard and John Hughes. I really grew up on the Hughes films, which are the ones I go back and watch all the time, just to see how they were put together.
However, every word she [Richelle Mead] wrote about Lissa in the book I highlighted and analyzed and interpreted until I felt like I’d completely absorbed her [Lissa]. So Richelle gave me insights through the pages of the book. I cried when I found out that she told the producers that I was her dream Lissa. It meant the world to me.
I think that being alive is intense for most beings in some way. Even the process of being born is an intense one, and coming to see and understand and experience the physical world, and all that goes along with being a physical being, and experiencing all of these different forms of loss throughout life.
It's more like the inner workings of John Bender. He feels like he's been given a short shrift, he's not been provided the opportunities that maybe these other kids have. So he feels like he begins in a hole. And instead of trying to raise himself up, he wants to bring all of them down. That's a dynamic that's pretty universal. And so that was the real foothold on that. It wasn't like, "Oh, my high school experience is like John Bender's [in St. Elmo's Fire]."
The influence of John Hughes is fully felt in the melodrama 'Donnie Darko.' This first film written and directed by Richard Kelly is a wobbly cannonball of a movie that tries to go Mr. Hughes one better; it's like a Hughes version of a novel by Gabriel Garcia Marquez.
I think saying 'a John Hughes movie' is just shorthand for a lot of people to say 'a coming-of-age story,' because I think, when you're of a certain age, that's what John Hughes means to you.
I think every teenager feels like a Martian in something, whether it's in their family, I think, or in their school. I think every teenager, every human being has a sense that they don't belong somewhere.
The gays like 'Project Runway' because it's a fashion, and the gays are into fashion and into design. It's a creative industry, and most of the gays are pretty creative, in general. That's just like the culture. We're not all into politics necessarily. We're more into the creative environment. I also think Heidi is a big draw. The boys love Heidi and think she's so fabulous. I just think it's a glitzy, fun show, and there are also always lots of gay boys on it, and, you know, that's fun.
The teenager begins to realize he or she really does want to be part of a community, really does want to have good relationships with others, really does want to create something truly good with his or her life. The teenager comes to understand just being smart and just being privileged are not enough.
I think journalists and filmmakers are keen observers. And actors must also be sharp observers as they draw their characters and their stories from what they experience around them. After all, that is what actors, filmmakers, journalists are trained to be: observers. And then they do something with their observations.
When I'm naked, I really like to do push-ups. No. I think I really tackle it like everything else. If you're going to commit yourself to playing something, you have to be able to understand it. If you can understand it, then you can do it and go balls out with it. But, I've never been in a position where I've been like, "This doesn't feel right." I wouldn't do it, if it was that. I like the shock value of it. I think that, if you use it correctly, it's pretty effective, as long as I'm lit really, really, really well.
You know, it's a funny thing about writers. Most people don't stop to think of books being written by people much like themselves. They think that writers are all dead long ago--they don't expect to meet them in the street or out shopping. They know their stories but not their names, and certainly not their faces. And most writers like it that way.
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