A Quote by Amanda Hocking
What I told you before is still true. I want to know that when you're with me, it's because you want to be, not because you have to be.
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I know that I'm a real writer because sometimes I write a story just because I want to; not because someone's told me to.
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I told myself, 'All I want is a normal life'. But was that true? I wasn't so sure. Because there was a part of me that enjoyed hating school, and the drama of not going, the potential consequences whatever they were. I was intrigued by the unknown. I was even slightly thrilled that my mother was such a mess. Had I become addicted to crisis? I traced my finger along the windowsill. 'Want something normal, want something normal, want something normal', I told myself.
Someone once told me it's more important what you turn down than what you take, and I think that rings true, especially when you're trying to make decisions about how you want to be viewed. It's hard, because I also want to have fun, and if there's a project that's super-small or low-budget or silly but it happens to have friends involved, I'll always take it, because my number-one priority is that I want to have fun with my career.
I'm lucky because my dad taught me to be frugal and save. And that's important because I want to know that I don't have to take an acting job for two or three years if I don't want to and that I'll still be able to make my house and car payments and buy food for my dogs.
How could I not love you? No one has ever affected me like you do. When you told me goodbye last month, I tried to let you go. I told myself it was the best thing for you because you wanted it. But you’re wrong, Dori. I’m good for you even if you don’t know it yet. I know because I’ve never been good for anyone before.
You think that because I want to do what’s right, because I want to make things better, I’m weak,” Claire said. “Or that I’m stupid. But I’m not. It takes a lot more strength to know how bad the world is and not want to be part of that, give in to it. And I do know, Kim. Believe me.
The last reason I want to be hired is because of my gender. I want to be hired because you trust me, because of my potential, because you believe that I know basketball, and we go and we build from there.
My youth coach told me he'd got these two great 15-year-olds. I told him I don't want to know, because by the time they're 18 I'll be dead.
I haven't written for a few days, because I wanted first of all to think about my diary. It's an odd idea for someone like me to keep a diary; not only because I have never done so before, but because it seems to me that neither I-nor for that matter anyone else-will be interested in the unbosomings of a thirteen -year -old schoolgirl. Still, what does that matter? I want to write, but more than that, I want to bring out all kinds of things that lie buried deep in my heart.
I want my daughters to see me and know me as a woman who works. I want that example set for them... I am a better mother for it. The woman I am because I get to run Shondaland, because I get write all day, because I get to spend my days making things up, that woman is a better person - and a better mother. Because that woman is happy. That woman is fulfilled. That woman is whole. I wouldn't want them to know the me who didn't get to do this all day long. I wouldn't want them to know the me who wasn't doing.
It's hard to not get typed in Hollywood. They really want to type you. I'm trying to avoid that, because I want to do a lot of things. I know what I'm capable of. I forgive them because they don't know. They haven't seen me play Hamlet. They're not going to cast me as an English aristocrat. I'm going to have to prove that on my own. That's okay. That's what you have to fight for if you want to be an artist.
Far too many people have no idea of what they can do because all they have been told is what they can't do. They don't know what they want because they don't know what's available for them.
I don't ever see movies by myself. I always see them with other people because I want to know what works. I want to know where they laugh. I want to know where they don't laugh. I want to know what they think about it afterwards because in the end that's what the art that I'm working with is.
Because you told me you don't have feelings for me anymore, and you see, that's very akward, because I still have them for you. And I bet you know it.
When I'm being interviewed, presumably it's because people want to know how I feel about something or what my motivation is, not because they want to hear what I sound like in English. I wouldn't be true to the task if I responded in my unrefined English.
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