A Quote by Amanda Hocking

What's your angle?" I asked, trying to sound more playful than demanding. "Isosceles," Jack quipped. — © Amanda Hocking
What's your angle?" I asked, trying to sound more playful than demanding. "Isosceles," Jack quipped.
There's surprisingly little difference between writing from a male angle and from a female angle, but I feel more restricted in my language when I'm writing as a male character because males tend to sound less emotionally expressive than females.
Nay, but Jack, such eyes! such eyes! so innocently wild! so bashfully irresolute! Not a glance but speaks and kindles some thought of love! Then, Jack, her cheeks! her cheeks, Jack! so deeply blushing at the insinuations of her tell-tale eyes! Then, Jack, her lips! O, Jack, lips smiling at their own discretion! and, if not smiling, more sweetly pouting - more lovely in sullenness! Then, Jack, her neck! O, Jack, Jack!
Asked whether or not he believed in an afterlife, Thoreau quipped, "One world at a time."
English is the product of a Saxon warrior trying to make a date with an Angle bar-maid, and as such is no more legitimate than any of the other products of that conversation.
I like working with sound; sound and rhythm. I like the abstract more than "What does that mean?" Nobody ever says to you, "Why did you use a harmonium?" Or "What is that ringing sound that occurs here?" The questions are always "What does that song mean?" or "What were you trying to say here?"
The whole schizophrenia angle interested me. When I first started working on it, I thought I would play up that angle more than I ended up doing. The religious aspect of the story was also a draw.
We saw very little of the real Jack Buck behind the microphone. He would touch people in ways that we will never know. Jack was much more than just an announcer.
Usually when someone believes in a particular religion, his attitude becomes more and more a sharp angle pointing away from himself. In our way the point of the angle is always toward ourselves.
The doorknob twisted. “I’m coming with you.” I ran over and held it shut. “No, you are so not. We can’t carry your unconscious body around the Center. Besides, I need you here. If something goes wrong, I can’t handle you getting hurt.” “Wait, so it’s okay if I get hurt?” Jack asked. “Yes,” I snapped at the same time as Lend and Arianna. “As long as you’re sure, then,” Jack muttered.
When my son, Jack, was four, I had to make a trip to Los Angeles. I asked him if he was going to miss me. 'Not so much,' Jack told me. 'You're not going to miss me?' I said. Jack shook his head, and he said, 'Love means you can never be apart.
It's a spinoff of the original Cracker Jack, but it's Cracker Jack'd. Frito Lay, when they asked me to be a part of it, I tried it, and I really like it. My favorite's the peanut butter and chocolate.
More fools know Jack Fool than Jack Fool knows.
Well I ain't Dr. Phil, but I'm smart," she said. "And your shoes are cuter than his," I said, trying to sound at least semi-normal. "Yeah they remind me of Dorothy's ruby slippers, only mine are wedges 'cause I'm more fashion conscious than she was.
I'm very interested in vertical space.I want the players to listen to their sound in such a way that they hear the complete sound they make before they make another one. So that means that they hear the tail of the sound. Because of the reverberation, there's always more to the sound than just the sound.
I think experimentation with other stuff is great. My real focus has been more-so trying to create a sound that I can build upon and get really comfortable with. I think almost everything is experimentation 'til you find what it is that your sound is.
Every angle acknowledges that it is a likeness of true angularity, for [each angle] is angle not insofar as angle exists in itself but insofar as angle exists in something else, viz., in a surface. And so, true angularity is present in creatable and depictable angles as in a likeness of itself.
This site uses cookies to ensure you get the best experience. More info...
Got it!