A Quote by Amanda Knox

I lost years of my life to prison because of two-dimensional and misogynist stereotypes. — © Amanda Knox
I lost years of my life to prison because of two-dimensional and misogynist stereotypes.
I don't want to be a leader that is one-dimensional or two-dimensional because he's not willing to be open.
Unfortunately, in television today there are very few African-American characters who are human beings. They are typically two-dimensional stereotypes, cookie-cutter types.
If I lost weight, I'd be two-dimensional!
With any television series - and it's something that is taken for granted with movies because you have the whole arc within two hours - you establish who the character is and it's a two-dimensional version, or if you're lucky, a two and a half-dimensional character. Once you establish that, you can move forward and break all the rules. Once the audience has accepted who the person is, then you can do the exact opposite. What makes it funny and interesting is doing the opposite.
Since a three-dimensional object casts a two-dimensional shadow, we should be able to imagine the unknown four-dimensional object whose shadow we are. I for my part am fascinated by the search for a one-dimensional object that casts no shadow at all.
Film is a two dimensional thing - it goes up and down and left to right but if you put that music into that two dimensional medium, it became like a third, fourth, and fifth dimension, I really believe in that.
If a shadow is a two-dimensional projection of the three-dimensional world, then the three-dimensional world as we know it is the projection of the four-dimensional Universe.
I've got a lot of letters from prison. Lost was a big prison show. But it's really crazy when you get the letter that says, 'So, I'm getting out in three months, I've only been in for 17 years and I'd really like to meet you.'
I'm very interested in how we read things, especially the link between seeing two-dimensional and three-dimensional images, because of how I read.
It's a two-dimensional gig being a singer, and you can get lost in your own tedium and repetition.
All stereotypes turn out to be true. This is a horrifying thing about life. All those things you fought against as a youth: you begin to realize they're stereotypes because they're true.
Painting does what we cannot do—it brings a three-dimensional world into a two-dimensional plane.
Painting does what we cannot do - it brings a three-dimensional world into a two-dimensional plane.
My personal story is that my father was a heroin addict and a heroin dealer and has been in and out of prison my entire life, he's been arrested sixty times. I also have an older brother addicted to crack cocaine who's been in and out of prison so it was really important for me to tell a story that shows the humanity and the journey of a man getting of our prison and trying to re-acclimate into society. It's apart of our community that we have stereotypes and ideas about but we don't actually know much about it, unless we know someone personally.
My fascination has been the space between cloth and the body, and using a two-dimensional element to clothe a three-dimensional form.
Just like we don't live in a two-dimensional world, we don't live two-dimensional lives.
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