A Quote by Amanda Lindhout

I have a general sense of excitement about the future, and I don't know what that looks like yet. But it will be whatever I make it. — © Amanda Lindhout
I have a general sense of excitement about the future, and I don't know what that looks like yet. But it will be whatever I make it.
We know what totalitarian looks like, we know what oppression looks like, we know what the dumb culture of totalitarianism smells like. This is it! It's happening now, and the future of the world is being decided. So, get out there, make your own sites, take action!
The beauty of working on a show like 'Westworld' is we're painting a not-too-distant future and talking about an aspirational sense of what power looks like in the future.
I often daydream about the future, thinking of the world in 100, 200 years, imagining what it looks like, feels like. I hope that my books are like ghosts that will inhabit this future.
I always like to believe that my work is about the expansion of the possibilities of the viewer. So if you have a sense of a heightened situation where there's an excitement, a physical excitement and an intellectual stimulation, there's just this sense of expansion. Because that's where the art happens. Inside the viewer.
I thrive on the adrenaline of excitement and danger. I just cannot stand boredom on the other side of it. Why am I a person who loves guns? I have no idea. Why do I like to go hunting? I don't know. It doesn't make sense to me. Why does somebody love golf, because that doesn't make sense to me either.
Sometimes, if a country's currency is overvalued in real terms, and it looks like the current account is going to be in deficit for the foreseeable future, devaluation can make sense.
You don't need to predict the future. Just choose a future -- a good future, a useful future -- and make the kind of prediction that will alter human emotions and reactions in such a way that the future you predicted will be brought about. Better to make a good future than predict a bad one.
If we leave the European Union, there will be an immediate economic shock that will hit financial markets. People will not know what the future looks like.
I kind of know what my job is, it's to develop a message that's hopeful and optimistic about the future of the country, to develop ideas that will give people a sense that they can lift up, and to tell them about my leadership skills to make it so.
When you fight something like cancer, you not dealing with a person that looks at where you come from or what's your background or what race you are or what ethnicity or whatever. Whatever your culture is, it doesn't care about that. It doesn't sleep - it doesn't get tired - so if you make it about yourself, you're going to fail every time.
The one thing we know about the future is that it will not be like today. I don't think that people should be too anxious about not knowing what they are going to do in the future, because we really can't know.
I would eventually like to write and star in my own stuff. I think I have a good comedic sense, so I'd like to follow that road. I don't know what the future holds, but whatever I do, I'll commit.
After the Berlin Wall came down I visited that city and I will never forget it. The abandoned checkpoints. The sense of excitement about the future. The knowledge that a great continent was coming together. Healing those wounds of our history is the central story of the European Union.
People will talk about money in the general sense, but not in the specific sense of, like, where'd you fail, how'd you succeed, how'd you do it.
General managers - I like to talk about the 'golden gut': general managers that not only can have a sense for the players that are going to perform beyond what people expect and get team chemistry right, but they also have to be able to make trades.
Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature... The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them.
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