A Quote by Amanda Lindhout

I used my captors names every chance I had. It was intentional, a way of reminding them that I saw them, of pegging them, of making them see me in return. — © Amanda Lindhout
I used my captors names every chance I had. It was intentional, a way of reminding them that I saw them, of pegging them, of making them see me in return.
I used my captors' names every chance I had. It was intentional, a way of reminding them that I saw them, of pegging them, of making them see me in return.
If you know someone who has lost a child, and you're afraid to mention them because you think you might make them sad by reminding them that they died-you're not reminding them. They didn't forget they died. What you're reminding them of is that you remembered that they lived, and that is a great gift.
I've obviously used fans - I wouldn't say all my life, because we couldn't afford them when I was young, but from my 20s and onwards we've had to use fans. And I've always loathed them. Everything about them. The way you adjust them, getting them at the angle you want. Carrying them. Cleaning them. The danger of putting your finger in them.
We love our superheroes because they refuse to give up on us. We can analyze them out of existence, kill them, ban them, mock them, and still they return, patiently reminding us of who we are and what we wish we could be.
If, for example, I saw my grandparents or my daughter for an instant, would I recognize them? Probably not, because in looking so hard for a way to keep them alive, remembering them in the most minimal details, I have been changing them, adorning them with qualities they may not have had. I have given them a destiny much more complex than the ones they lived.
I have strong feelings about cookbooks because I am a lover of them and student of them and devourer of them and collect them. I find them to be a great source of inspiration. When I was a cook and not making much money, I always used to spend most of what I had on cookbooks.
In an odd way, my parents were proud of me. When they saw me do stand-up, I'd see them looking around the room and watch them taking in the people laughing. On some level, that comforted them.
I start out making my paintings for me. I don't see it as a form of communication. Until, of course, after they are done and I want people to see them. And want them to be recognized. But while I am making them I just try to get lost in them. Kind of like it's a prayer.
I saw them with my bodily eyes as clearly as I see you. And when they departed, I used to weep and wish they would take me with them.
He loves me, he doesn't love my bowels, if they showed him my appendix in a glass he wouldn't recognize it, he's always feeling me, but if they put the glass in his hands he wouldn't touch it, he wouldn't think, "that's hers," you ought to love all of somebody, the esophagus, the liver, the intestines. Maybe we don't love them because we aren't used to them, but if we saw them the way we saw our hands and arms maybe we'd love them; the starfish must love each other better than we do.
It is forbidden to be merciful to them. You must send missiles to them and annihilate them. They are evil and damnable... The Lord shall return the Arabs' deeds on their own heads, waste their seed and exterminate them, devastate them and vanish them from this world.
I'm not proud of having been married -I've had five affairs, all of them real wingdings. I've enjoyed every goddamned minute of them, but sooner or later I've outgrown every one of them, and when I did I got fed up and threw them out. If they can't keep up with me, the hell with them.
People just sticking names on places, so that no one could see those places properly any more. Every time they looked at them or thought about them the the first thing they saw was a huge big sign saying 'Housing Commission' or 'private school' or 'church' or 'mosque' or 'synagogue'. They stopped looking once they saw those signs.
A lot of new American directors have had mentors who have given them advice. And some of them have had the way paved for them by huge Hollywood directors who saw a younger version of themselves.
Reminding people what in reality it is all about, giving them a theme on which to ponder, creating a shock within them, pulling them out of the delusion of non authenticity, enabling them to become aware of their true possibilities.
No one had to impose my enemies on me. I selected them myself. I didn't avoid them: I pointed them out, marked them, attacked them.
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