A Quote by Amanda McBroom
When I was first introduced to the music of Jacques Brel, I was totally floored. I had never heard anything as intelligent or sexy or angry as his music.
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I was in Jacques Brel Off-Broadway for many years, so I've always been a singing actress, but the songwriting was a complete surprise. I had never written a song in my life. We were on the road with Jacques Brel doing the national tour, and I picked up a guitar one day and I wrote a song.
Linkin Park has been a band for such a long time, for me, in my eyes. I was 16 years old when I first heard them. I heard 'Hybrid Theory,' and I was floored at what I was listening to. It was angry yet melodic, it had hip-hop and it had - it was just different, good. Good songwriting.
I never heard anything so brilliant in my life as I did that first time I heard Ornette. He played like some revolutionary angel. Soon, we were rehearsing in his place, music scattered everywhere, and he was telling me to play outside the chord changes, which was exactly what I had been wanting to do. Now I had permission.
Ilaiyaraaja is my most favourite music director. His music was my lullaby, his music was my food, his music was my childhood, his music was my first love, his music was my failure, his music was my first kiss, my first love failure, my success... he is in my blood.
I heard a lot of different kinds of music. I heard country music, I heard jazz, I heard symphonic music, opera, everything you can think of except very modern music.
For the first time, he heard something that he knew to be music. He heard people singing. Behind him, across vast distances of space and time, from the place he had left, he thought he heard music too. But perhaps, it was only an echo.
When I was a kid, we weren't really supposed to listen to secular music. But one day, I found a 'Led Zeppelin IV' cassette tape in the garage, and it was just amazing-sounding music, not like anything I'd heard before. I remember thinking: 'Well, if God created music, why is his music in church not as good as this?'
I'm amazed at how adventurous and how dangerous the music was, and still is. I haven't heard anything like it since. I'm quite surprised, because a lot of the music on there we never heard at the time.
I always loved soul music. My dad was a very religious guy, and we would listen to a lot of gospel and soul music. My college girlfriend introduced me to musicals. She listened to them, so that was the first time I heard 'Dream Girls.'
I do love to sing Jacques Brel songs, intensely. I get terribly excited, just by reading a couple of lines in any one of his songs.
When I was in my teens, Yehudi Menuhin, who was at work on his project 'The Music of Man,' introduced me to the great astronomer Carl Sagan. It was Sagan who first opened my eyes to the magnitude of the universe, and essentially to the notion of 'music of the spheres.'
I was 14. I went to see a production of 'Jacques Brel is Alive and Well and Living in Paris,' and when they got to that final song, 'If We Only Have Love,' it was like the top of my head had blown off.
I wrote 'Love Foolish,' and when I heard the music for the first time, it felt like this was a song that Twice hadn't done before. I thought the song and music had a very mature tone, so I wrote the lyrics to match. I was inspired by the music directly.
I always think that people think that women in music are always angry. I'm not angry. Rock 'n' roll music made by men is so much more over-the-top aggressive than when a women says "you" and they're screaming it, it's like, 'Oh my God!' I'm like, 'Have you heard rock music made by men?'
At first I didn't understand what [Thelonious Monk] was doing, but I went back again, and what I can say about Monk is that I heard ancient Africa in his music. When he played, it was like a ballet. He captured the sound of the universe. Monk could take a triad, a simple chord, and make it sound dissonant. I'm sure that element he had in his piano was part of the two years he spent traveling with his mother in gospel music in the tent shows.
It doesn't bother me when someone is totally unaware of anything I've ever been in or done and says, 'Hey, man, I really like your music. I've never heard of you.' That doesn't bother me at all.
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